Dancing in Echoes

Last weekend we went to the Museum of Science and Industry where my oldest daughter performed with her Ukrainian folk dance group as part of the Christmas Around the World celebration.

If you’ve never seen the exhibit, 50 trees are decorated by volunteers from Chicago’s ethnic communities to represent their various cultures and holiday traditions. The Ukrainian Christmas tree was decorated with embroidery-adorned ornaments and sparkling spider webs, inspired by the Ukrainian legend of the spider web.

(Spiders have long been important characters in Ukrainian folklore, but the incorporation of the Christmas Tree into Ukrainian celebrations is a fairly recent one. It’s likely that the tradition came to Ukraine from Germany in the 19th century.)

According to the legend, a poor Ukrainian widow and her children had nothing with which to decorate their Christmas tree. After they went to bed, a spider (a “pavuk” in Ukrainian) took pity on them and spent the night spinning her web all around the tree. When the children awoke, they saw the beautiful web on the tree, and as the first rays of the sun touched the spider’s web, it turned to gold and silver. The family never had to worry about money again.

We sat in the front row, listening first to the Ukrainian Children’s Choir, whose performance was wonderful. Ukrainian music and songs always grab hold of my heart. Traversing time and space, music is so powerful. Along with other types of art, it gives us an experience of tradition, communicating the depths of culture, identity, and memory.

After the choir, my daughter’s group performed “the Hopak,” often referred to as the National Dance of Ukraine. I watched her the entire time, aware of  the moments when her nervous smile dropped for a second as she concentrated. When she dances at home, it’s with such joy and abandon. This was a different experience, careful and almost solemn.

Watching her, I remembered that feeling, being up on stage with my fellow Ukrainian dancers. I loved to dance. I still do, although my dancing is usually relegated to my living room or occasional dance floor. It’s a different thing to dance the choreographed steps, even when they are so familiar that they are almost muscle memory.

Dancing in an ensemble is like reciting a famous poem. There is the knowledge that what you do carries weight, each step like a word in a prayer. You are part of a group, but also part of a tradition. Proud and nostalgic, I watched my daughter dance familiar steps to familiar music. So interesting when time folds up on itself, and our children walk in the echoes of our footsteps.

 

The Magic of Music

As a child, my favorite part of going to Mass at Sts. Volodymyr and Olha Ukrainian Catholic Church was the music. The walls, covered with their beautiful icons, were a feast for the eyes and my  young imagination, but it was the music that transported me into another world.

Mass was usually sung in Ukrainian and accompanied by a choir of voices in the balcony. Standing with my parents and little sister, I remember closing my eyes and feeling like I had stumbled into another world. I was absolutely certain that those voices and music got God’s attention. It was my first experience with the very real way that music could transform a space into something sacred.

The first time I remember hearing Gregorian chants, I was in high school, and it was a similar experience. I recall sitting in my religion classroom blown away by the power of those voices. Later, it made perfect sense to me that ethereal bands like Enigma or Dead Can Dance would incorporate the chanting into their music. There was power there.

As I got older, I became interested in comparative religions and learned that the ancient Greeks were among the first to document the ways that music shifted the collective consciousness of a group of people. I became especially interested in shamanic music and the ways that indigenous holy men and women used drumming and their voices to heal, to protect, and to communicate.

My first drumming circle, hearing the heartbeat of those many drums working together, was another of those pivotal moments that touched something deep inside of me. Although maybe not as elegant, drumming was raw, honest, and primal. The drum beat is so much like the first sound we all hear–the heartbeat of our mother in the womb. It is the sound of our own heart as we learn to sit quietly and meditate. It is a sound that stretches across time and space.

After following more breadcrumbs of myth and music, I encountered ritual theatre. Theatre emerged from ritual and mythology as a way to recreate sacred stories and repeat certain actions for a desired end. From the ancient Greeks to contemporary Balinese, ritual drama engages the community and allows participants to surrender themselves to the ritual process.

Last weekend, Mark and I had the pleasure of watching my favorite ritual theatre ensemble, Terra Mysterium, perform the Snow Queen version of Betwixt & Between, A Journey into Faery for their Winter Gala.

Held at the Chicago College of Healing Arts on Devon, the performers masterfully wove the web of their story about the Snow Queen, two human children, and the Fae.

All the members are talented, and I’ve had the pleasure of seeing them perform in several other venues. Each performance has been wonderful and wonder-filled, but this time I was struck by how polished they have become, how cohesive as a group.

When Terra Mysterium sang their beautiful songs, I recalled those days in church as a child, when all the world faded away and I felt a part of this magnificent music that filled the space. Their music was magic. Terra Mysterium took my breath away, transported me to another world, and inspired my imagination.

Plato believed that music was a form of medicine that brought order to our souls. In this day and age, when there is so much disorder and dissonance, we could all use a little more music in our lives.

So I leave you with two songs from Terra Mysterium:

Walk To My River (music and text by Shannah Lessa Wojtyska; arranged by Matthew Ellenwood)

07 Walk To My River

Athrabeth (music by Matthew Ellenwood, text by Keith Green):

09 Athrabeth

My Light in the Dawn

I’m trying to finish up these half-written blog entries, so expect a few in rapid succession.

Last month I participated in the first Chicago Book Expo, held at the abandoned Borders in Chicago’s Uptown neighborhood. The Chicago Writers House Project created a pop-up bookstore in the empty building on November 19 and 20, 2011. More than 40 local presses participated (including Wolfsword Press). The Expo included readings, panel discussion, live performances, and architectural walking tours.

You can hear a Chicago Publishes Podcast about the Expo:

Chicago Publishes Podcast: Chicago Book Expo by Chicago Publishes

Listen as founding member of the Chicago Writers House John Rich, Gabriel Levinson of ANTIBOOKCLUB, and I talk about the Expo (you can hear me at 6 minutes 20 seconds).

The Expo coincided with Adriana Renescu‘s visit to Chicago, so Wolfsword Press invited her to be one of the featured readers at the Expo and read from her novel The Wolves of Pavlava. With the combination of her gorgeous accent and powerful imagery, I could have listened to her read the entire novel that afternoon! (Maybe an audiobook, Adriana? Check out acx.com.)

With Adriana Renescu at the Chicago Book Expo, 2011

On Saturday, Adriana and I read from our novels, along with two writers from the Chicago Center of Literature and Photography (CCLaP): Sally Weigel and Katherine Scott Nelson. I enjoyed both of their pieces, but Katherine’s novella Have You Seen Me absolutely blew me away. She is an incredibly talented writer with a powerful voice.

I was happy to sit at the Expo for the two days to represent Wolfsword Press and talk about The Silence of Trees, but I was especially excited to connect with people about our upcoming comic, Sticks and Bones and The Artist Zoo project (which deserves its own post soon). So many people got excited by the idea, signed up to be considered for the art book, and volunteered to help out! I plan to follow up with everyone in the next few weeks so that we can move forward in 2012!

The Chicago Book Expo organizers did a wonderful job pulling it all together (special thanks to the lovely Heather McShane and Jon Fullmer). They had an impressive showing of publishers and attendees, each one an authentic and enthusiastic Chicago voice. I was grateful for the chance to be a part of it and happy to meet so many new publishers on the scene. From what I saw last month, the Chicago publishing scene has a bright future. It made my inner literary optimist happy and proud.

Reading at the Chicago Book Expo (the speakeasy location)