Art in the Time of Quarantine

Time. Time is one of the threads that everyone seems to touch on these days in their tweets and posts. We have long been guided by schedules of work and school and other constructs, and then this virus hit and everything changed, slowed down, stopped, went out of sync. 

Each of us is going through this surreal shared moment in time, viewing the world through our own lenses, with our unique combinations of challenges and privileges, maybe sharing that view with the people we are living with or talking to. My experience is enmeshed with that of the kids. Most of the day we’re all doing our “work,” but then we have a lot of dinner-table conversations, and I cherish those, a chance to check in with one another after the day of work and school work—a time to ask about “How Things Are Going.” 

Some days the answer is: not great, frustrated, scared, lonely, restless, angry. Some days the answer is better, ok, not bad, better. So much depends on who we have (or have not)  interacted with, and how we have related with them during that day. So much depends on what we’ve heard of the news. So much depends on how the kids are doing.

When trauma typically happens at schools (and the current generation of elementary and high school students have had too much experience with this), we call in counselors. We have talking circles and support groups. We make allowances for ordinary responsibilities to allow some room for processing and healing. We try to help the kids because most of them don’t have the tools they need. Right now, those systems are not really in place to help them—even with teachers and parents trying the best they can. 

The kids have been doing the best they can, and I’m of the philosophy that we need to temper our expectations right now. If many of us, the adults, are not ok, how can we expect the kids to be? 

So they do their homework and they miss their friends; they try to connect online and on the phone, watch movies and read, and have their own creative ways of dealing with it all. 

My son is a musician and composer, and he decided when the shelter-in-place started that he would write a new song approximately every other day. 

I’m reminded of a quote from Neil Gaiman’s keynote address for the May 17, 2012 commencement ceremony at The University of the Arts. He said: 

“Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do.

“Make good art.”

This is something I often quote to my kids. Creativity is a tool we have when we need it, when we can use it. It’s not always possible. Sometimes we have to wait for life to give us a window. Sometimes we have to make that window. Sometimes we make good art.

Everyone is wondering when things will go back to “normal.” Will they ever?

I don’t think we can know what normal is going to look like. I do believe that this time will irrevocably transform our children and what they do to shape their future in ways that we cannot even imagine. I feel like the things people are doing right now to express themselves, to connect creatively with one another, to be as present for one another as possible—these will be the touchstones we have to remind us of this time and why we reshaped the future accordingly, hopefully for the the better. 

Published by Valya

Valya Dudycz Lupescu has been making magic with food and words for more than 20 years, incorporating folklore from her Ukrainian heritage with practices that honor the Earth. She’s a writer, content developer, instructor, and mother of three teenagers. Valya is the author of MOTHER CHRISTMAS, THE SILENCE OF TREES, and the founding editor of CONCLAVE: A Journal of Character. Along with Stephen H. Segal, she is the co-author of FORKING GOOD: An Unofficial Cookbook for Fans of The Good Place and GEEK PARENTING: What Joffrey, Jor-El, Maleficent, and the McFlys Teach Us about Raising a Family (Quirk Books), and co-founder of the Wyrd Words storytelling laboratory. Valya earned her MFA in Writing from the School of the Art Institute of Chicago, and her poetry and prose have been published in anthologies and magazines that include, The Year's Best Dark Fantasy & Horror, Kenyon Review, Culture, Gargoyle Magazine, Gone Lawn, Strange Horizons, Mythic Delirium. You can find her on Twitter @valya and on Mastodon.social @valya

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