LoneStarCon Recap

I attended my second WorldCon in San Antonio at the end of August. My first was last year in my hometown of Chicago. In the span of a year, I’ve participated in a few different cons, some large, some small: Locust Moon Comic Festival, ICFA, C2E2, Readercon, WisCon, and LoneStarCon.

Each time I leave inspired, not only by the great works that get honored or by the guests who are celebrated for their contributions, but by other working writers and editors who carve out time whenever they can; who are on their second, third, or tenth books; who complain about their laptops, vent about their partners and families, gush over stories that inspire them, and find joy in the company of other weird and wonderful creative people.

After the Hugos, with Amy Sisson, Francesca Myman, Cady Coleman, Stina Leicht.
After the Hugos, with Amy Sisson, Francesca Myman, Cady Coleman, Stina Leicht.

There were panels: some informational, others provocative; some balanced, others not so much. I attended many discussions which featured friends, and I was treated to passionate conversations about poetry and science; plot problems; the future of short stories; science, space, and speculative fiction; and China through the lens of its science fiction.

"Science, Space Exploration, and Speculative Fiction Collide"  Panel with Mrco Palmieri, Ann VanderMeer, Stanley Schmidt, John Chu, and astronaut Cady Coleman.
“Science, Space Exploration, and Speculative Fiction Collide” Panel with Marco Palmieri, Ann VanderMeer, Stanley Schmidt, astronaut Cady Coleman, and John Chu.

There were awards, where I cheered for Campbell-nominated friends (yay Max Gladstone and Stina Leicht) and celebrated those who won Hugos (yay John Picacio, Best Professional Artist; and Galen Dara, Best Fan Artist); and there were After Parties, places to celebrate with friends.

After the Hugos: Wesley Chu, Stina Leicht, Max Gladstone, and David Boop.
After the Hugos: Wesley Chu, Stina Leicht, Max Gladstone, and David Boop.
After the Hugos, with Tara Smith, John Picacio, and Nancy Hightower.
After the Hugos, with Tara Smith, John Picacio, and Nancy Hightower.

There were large public spaces where we congregated for wifi and coffee, for meetings and impromptu chats; and when the sun went down for wine, scotch, sweet things, and more coffee.

In such good company, hanging out with wonderful Tor people: Ellen Gallo, Max Gladstone, Stephanie Neely, Miriam Weinberg, Stacy Hill, and Carrie Vaughn.
In such good company, hanging out with wonderful Tor people: Ellen Gallo, Max Gladstone, Stephanie Neely, me, Miriam Weinberg, Stacy Hill, and Carrie Vaughn.

Those “writers in the wild” times were my favorite–the casual moments when we wandered and were welcomed at tables and beside bars. When a conversation could carry on late into the night, or well into the morning. Because sometimes 5am guacamole along the riverwalk is a way of holding onto the magic for a little while longer, before we all have to return to the real world and the work that makes up most of our days.

Monday morning with Stina Leicht and Marco Palmieri.
Monday morning with Stina Leicht and Marco Palmieri.

So I came home and delved back into the stories  I’ve been working on all summer, finishing up a novelette and a few shorts, tweaking some poems, and sending things out to readers. Fall brings the next novel and the excitement of delving into ancient history to build a new world and a new cast of characters who will live inside my head until it’s done.

My fabulous roommates: Nancy Hightower and Stina Leicht.
My fabulous roommates: Nancy Hightower and Stina Leicht.

In the meantime, there are little tastes to keep us going: tweets at midnight when we’re writing, facebook chats and email exchanges. It helps to keep us connected, but nothing can compare with midnight marshmallows, early morning guacamole, and coffee in the company of good friends.

In the Cards: The Amanda Palmer Tarot

For hundreds of years, the Tarot has been used as a system of divination, reflection, storytelling, and inspiration. There are decks inspired by gods and goddesses, decks of cats, decks inspired by fictional worlds like Harry Potter or Star Wars, fairy tale decks and complex metaphysical ones. People are drawn to certain decks because they identify with the imagery or connect with the artwork or theme.

It comes as no surprise that fans of singer Amanda Palmer decided to draw upon the iconography of Amanda’s work, both as a solo artist and member of the Dresden Dolls, to create a Tarot deck.

For those unfamiliar with her work, Amanda’s songs, while fiercely intimate, are also iconic. She sings about abuse, addiction, abortion, heartache, love, abandon, regret, and hope; and her songs give voice to the dreams and fears of fans around the world. That would be enough to endear Amanda to her fans, but she takes it further to connect with them on a personal level at shows, ninja gigs, and online. Amanda opens herself up, and people often walk away saying that the experiences were intimate, inspirational, and transformative.

That is what the Amanda Palmer Tarot is about: Intimacy. Inspiration. Transformation.

20130805-223610.jpg

When Madeline C. Matz, told me she was going to take the collaborative deck to Kickstarter, to use the crowd funding tool for preorder and distribution of the tarot deck and to pay the 78 artists involved, it made perfect sense. Collaboration brought the deck into existence; collaboration would get it produced.

***UPDATE: The Tarot was fully funded within 24-hours of launching the Kickstarter Campaign, but you can still order a deck until September 3, 2013!***

At its heart, the Amanda Palmer Tarot is a one-of-kind creative collaboration, a tribute deck featuring the work of 78 different artists, including Molly Crabapple, Kyle Cassidy, Walter Sickert, Kristina Carroll, Zelda Devon, Katelan V. Foisy, and more. Even fans unfamiliar with Tarot as a system of divination can enjoy the beauty of the unique cards inspired by all-things-Amanda.

Tarot is like a mosaic or patchwork of our lives at any given moment. People look at the cards to gain insight, to glean something new, to be challenged, to connect with a larger picture. (Interesting that those are some of the same reasons we encounter art.)

It will be interesting to find out what Tarot readers will think of the Amanda Palmer Tarot, because of course, the cards are sexy, symbolic, and provocative.

But then again, Art should provoke, and Tarot should provoke. Any deck inspired by Amanda would have to be provocative, and I think that translates into a beautiful and powerful collection of cards.

You can read more about the kickstarter campaign and order your deck here.

There are also Facebook and tumblr pages highlighting the artwork, and a twitter account: @afptarot

Check it out and spread the word.

Aren’t you curious to find out what you’ll see in the cards?