Words and Witchery: Some References for Slavic Mythology

A tall man in a Mother Christmas t-shirt stands beside a short woman in a Ukrainian embroidered blouse.
Stephen and Valya at Chicon8

Over Labor Day weekend, Stephen and I took the younger two teenagers to their second World Science Fiction Convention: Chicon 8 (San Jose was their first Worldcon in 2019).

Both of us were on panels (usually at the same time), and I was delighted to be on the Slavic Mythology panel with moderator Dr. Jeana Jorgensen, Alex Gurevich, and Alma Alexander. (Unfortunately Alex Shvartsman did not make it to the panel.)

We had a really wonderful and engaged audience, and at the end of our discussion, someone asked for additional references about Slavic Mythology. I agreed to post a list of resources published in English on my blog.

4 masked panelists seated at a table talking with a curtain behind them.
Slavic Mythology panel at Chicon 8.

I’ve done my best to collect them here. I will try to remember to update the post as I acquire new books, or as new media come to my attention.

A small disclaimer: Many books have been published recently about Slavic magic and Baba Yaga. I have not included anything as a nonfiction reference here that I have not personally read and reviewed. Some of the fiction and films, on the other hand, come from other panelists and audience members. I cannot speak to the accuracy of their portrayal or sources.

Nonfiction:

  • Slavic Folklore: A Handbook by Natalie Kononenko
  • Encyclopedia of Russian and Slavic Myth and Legend
    by Mike Dixon-Kennedy
  • The Bathhouse at Midnight: An Historical Survey of Magic and Divination in Russia by W. F. Ryan
  • Mother Russia: The Feminine Myth in Russian Culture by Joanna Hubbs
  • Baba Yaga: The Ambiguous Mother and Witch of the Russian Folktale by Andreas Johns
  • Fairy Tales of the Russians and Other Slavs: Sixty-Eight Stories Edited by Ace G. and Olga A. Pilkington
  • Witchcraft in Russia and Ukraine, 1000–1900: A Sourcebook (NIU Series in Slavic, East European, and Eurasian Studies) by Valerie A. Kivelson and Christine D. Worobec
  • Ukrainian Minstrels: Why the Blind Should Sing: And the Blind Shall Sing (Folklores and Folk Cultures of Eastern Europe)
    by Natalie O. Kononenko
  • The Paths of Folklore: Essays in Honor of Natalie Kononenko
    by Svitlana Kukharenko, Peter Holloway
  • The Gods and Goddesses of Old Europe: 7000 to 3500 BC myths, legends and cult images by Marija Alseikaitė Gimbutas
  • The Magical Universe: Everyday Ritual and Magic in Pre-Modern Europe by Stephen Wilson
  • Baba’s Kitchen Medicines: Folk Remedies of Ukrainian Settlers in Western Canada by Michael Mucz
  • Essential Russian Mythology by Pyotr Simonov

Folklorica: An open-access peer-reviewed journal produced by the Slavic, East European & Eurasian Folklore Association. The Slavic, East European, and Eurasian Folklore Association (SEEFA) is devoted to an exchange of knowledge among scholars interested in Slavic, East European and Eurasian folklore.

Fiction that draws from Slavic mythology:

  • Night Witches by L.J. Adlington
  • The Bear and the Nightingale by Katherine Arden
  • Shadow and Bone series and Grisha trilogy by Leigh Bardugo
  • Rusalka, Chernevog, and Yvgenie by C.J. Cherryh
  • The Age of Witches by Marina & Sergey Dyachenko
  • American Gods by Neil Gaiman
  • “Viy” by Nikolai Gogol (Mykola Hohol)
  • Shadows of Forgotten Ancestors by Mykhailo Kotsiubynsky (translated but difficult to find)
  • The Silence of Trees by Valya Dudycz Lupescu
  • Sticks & Bones: Home Is Where the Hearth Is (comic) by Valya Dudycz Lupescu & Madeline Carol Matz
  • Uprooted and Spinning Silver by Naomi Novik
  • The Secret History of Moscow by Ekaterina Sedia
  • Deathless by Catherynne M. Valente
  • The Forest Song by Lesya Ukrainka (play, translated by Percival Cundy)
  • Mesopotamia by Serhiy Zhadan

Television & Film

  • American Gods (Starz)
  • Shadow and Bone (Netflix)
  • Shadows of Forgotten Ancestors (1965 – Ukrainian: Тіні забутих предків, directed by Sergei Parajanov)
  • The Witcher (Netflix)

Articles:

A stack of books topped by a Baba Yaga figurine.

Clothes and Grief

Two years ago yesterday, Donald Lupescu passed away and our lives have a big Grandpa-Don-shaped hole in them. It’s an impossibly large hole, as is the case with grief. When the kids came home after school, we spent some time remembering the many things we love and miss about Grandpa. We cherish those memories, and we hold onto tangible things that remind us: On my counter is a sugar bowl from Don and Eleanor’s kitchen, and I think of Don each time I use it. Mark has some shirts and ties from Don; and as Liam waits to grow into his grandfather’s patterned and tropical shirts, he keeps an eye out for “Grandpa Don”-style shirts that are *his* size in the store.

There’s something special about clothes and grief. Clothes hold more than just the memory of our beloveds who wore them–it’s more like what my friend Katelan calls time travel. When we touch those clothes, we touch the past, we flash back, we get an echo. We hold on.

It was incredibly timely to read author Ekaterina Sedia’s essay, “A Story of Grief and Clothes.” Ekaterina lost her father, her sister, her aunt, and her mother in the span of two years. Because her family still lived in Moscow, she spent those two years crossing the Atlantic again and again to say goodbye. This is her beautiful, sad remembrance:

“I dress in black as mourners do, with dark charcoal and navy. I understand now: it requires no matching and no planning, it is simple clothes that require no thought and look okay. They do not show dirt, which is nice when laundry is too much to face when you barely holding it together for necessities. Mourning clothes are the emblem of simplification for survival, life-saving routines that conserve the resources. I exercise and go for walks and do crossword puzzles and read fashion blogs because they are routines, protection, they are not letting me overheat from too much processing.”

What is remembered lives.