It’s summer, and so I’ve started reading The Hobbit to the kids before bedtime. Even the youngest is entranced, her imagination exploding with hobbits and dwarves. I love to read beautiful writing, well-crafted sentences, dramatic passages, poetic phrases. It’s a joy; and as a writer, I try to learn something from the work, even as I say the words aloud to the captive audience of my children.
My parents read to us before bed, and I loved it. As soon as I got to college and learned about author readings, I was entranced! What a joy to hear the words of beloved writers spoken aloud. Similarly, I love audiobooks–to sit or walk or drive and listen as the stories come alive. It feels decadent, because I’m doing none of the work, just listening to the luscious words and watching the pictures in my mind’s eye.
Recently, I’ve been on a short story kick, so I looked up short story anthologies that were available as audiobooks. I wanted to share two that I really enjoyed. The stories are excellent and well-narrated:
The Best of Fantasy and Science Fiction Magazine, a “super-duper triple issue, comprised ten key selections (most of the contents, actually) of FSF‘s September issue and the forthcoming double October/November issue” 2003. All very different, there are some real gems in those issues, including stories by Gene Wolfe, Joe Haldeman, Terry Bisson, and more.
Naked City, edited by the wonderful Ellen Datlow, includes stories by Peter Beagle, John Crowley, Ellen Kushner, Jeffrey Ford, and so many others. Maybe it’s from growing up in Chicago, but I love stories that feature cities as characters or integral backdrops, and this anthology has a fantastic range of responses to the “naked city.” I enjoyed all of them, but I think my favorite may be Delia Sherman’s “How the Pooka Came to New York City.”
While not a short story, I would be remiss if I didn’t mention Neil Gaiman’s newest novel The Ocean at the End of the Lane (which recently reached #1 on the New York Times Best Seller List!)
If you have attended one of Neil’s readings or listened to an audiobook that he narrated, you quickly get the music of his voice in your head. I think that it gets to the point where you can read the words and hear him there in your mind’s ear, because he is as much a storyteller as he is a writer. In words and performance, he knows how and when to build tension, to make you feel unexpected and conflicting emotions, to surprise you, to scare you, and to create a genuine empathy for characters who come to life in brilliant dialog.
The Ocean at the End of the Lane is one of his finest so far, and I could not wait to hear Neil read it aloud. I was not disappointed. It’s wonderful. If people loved the novel, they will cherish the audiobook, because the intimacy, honesty, and raw nostalgia of this mythic, yet very human, tale are even more compelling when listening to Neil’s reading.
If Chicon7 was a village of science fiction fans and creators meandering from panel to party to presentation; ICFA34 was the fantastic equivalent of Cheers, a bar where you could usually find a seat, the faces were familiar, and the more time you spent there, the more likely it was that everybody would know your name.
My first time at the International Conference on the Fantastic in the Arts (ICFA), I was grateful for the presence of a few friends; for even though attendance was in the hundreds rather than thousands, it was still easy to feel overwhelmed in a crowd where so many people already knew each others.
Neil Gaiman was one of the Guests of Honor this year, and my first night in Orlando, I found myself at a dinner table with familiar faces (Kat Howard, Maria Dahvana Headley, Peter Straub, Neil and Amanda, as well as a few I had only known online, among them Charles Vess, John Clute, and Ellen Klages). We had a thoughtful chat about WWII survivors and their secrets/stories on the walk over to dinner, and a lively conversation full of laughter over dinner and wine. I could not have asked for a more wonderful beginning to ICFA.
The evening ended as did so many at ICFA, in the hotel bar with new and old friends. However that first night we were treated to a performance of Radiohead’s “Creep” by Amanda on her ukelele. The bar was silent as the small crowd listened. The song choice seemed perfect in so many ways.
Although I had planned to be a quiet observer this first time around, Nancy Hightower asked me to fill in on her panel “Transforming Fact to Fiction” after she had two cancellations from flu-stricken authors not in attendance.
The rest of the weekend followed in a happy blur of luncheon talks, panels and readings, poolside introductions, and late-night bar conversations.
I am grateful for the opportunity to spend time with Nancy, Maria, Dora, Peter, Gary and Stacie, and happy to have met so many wonderful people: Greg and Sofia, Francesca Myman and Liza Groen Trombi from Locus (to which you should subscribe if you don’t already), Katherine Pendill and Helen Pilinovski, Andy and Sandy Duncan, and others.
The last night of the conference was the Awards Banquet, a rather gala affair where writers, editors, and academics donned suits and gowns to sparkle, sip cocktails, and celebrate.
Following dinner, everyone moved poolside. I had spied a set of chairs around an unlit firepit earlier in the day…
My hope was to retire there after dinner if given the chance.
The server was kind enough to light the fire. I ordered a drink and was happy to sit and people-watch. Friends popped by to sit and chat, then moved on. At one point, Neil came by, and I mentioned that there was only one thing missing from a nearly perfect moment: marshmallows. (I made a mental note for next year.)
Neil went on to visit with other friends, but a few hours later he returned with friends…and marshmallows!
Apparently Sarah Pinborough had never had s’mores, and someone had been kind enough to run out and purchase the necessary ingredients. Sarah, Neil, Peter, Maria, Kat and others gathered around and shared the spoils.
It was the perfect way to end the evening. Marshmallows and cocktails, conversations and joyful hugs. I went to bed so full of happiness.
The next morning most people were leaving, and those of us who remained eventually met up in the lobby where we sat on laptops and phones, reconnecting with the outside world.
Until the tornado. Yes, tornado.
A few of us took refuge in the windowless inner room of the tavern restaurant, well-lit with emergency lighting even when the power went out.
Liz Gorinsky, Lara Donnelly, Maria, Nancy, Sofia, Greg, and I were treated to champaign and potato chips, salad and sandwiches by the attentive servers. Dora eventually joined us, and we rode out the storm safe in our little bunker, sipping champaign by lantern-light and talking.
The tornado passed, and we disbanded to our separate flights home, dinners, and downtime. Power eventually came back on, and we came together for last time in the bar, this time joined by Jeff and Anne VanderMeer in the large booth in the back. I was excited to get the chance to leaf through Jeff’s Wonderbook. Nearly complete, it is a masterpiece in image and text about the craft of writing.
Then an early morning flight, and my first ICFA was over.
I believe in the importance of communities: creative, social, etc. We have the ability to choose our tribe, to invite into our circle people with whom we connect, people who make us laugh and inspire us to be more. When I came back to Chicago from Germany in 2009, I was hungry for a community of writers. I am so grateful to have found them.
We may not reside in the same cities or even the same countries. We may see each other in person only a few times a year, but we savor those connections. So much of our time is spent alone at our laptops or with notebooks in hand, but places like ICFA remind us that we are not alone. They allow us the time and space to reconnect with our tribe of mad creatives. It makes the tweets and emails, pictures and blog entries even more real when we know that eventually there will be hugs and champagne and sometimes even s’mores.