Big Shoulders

Along with literature, I have always had a passion for history. I think it comes from my parents and grandparents trying to impress upon me at a young age the importance of my roots.  They always taught us that we build upon the foundation of those who came before us.

When I learned about the Chicago Literary Hall of Fame, I saw it as an opportunity to honor my literary ancestors: historic Chicago writers like Gwendolyn Brooks, Studs Terkel, and Saul Bellow; as well as important living writers, such as Ray Bradbury, Stuart Dybek, and Gene Wolfe. Stuart, in particular, is near and dear to my heart, not only because he is an excellent writer, storyteller, and craftsman, but also because he indirectly set me on the path I follow today.

Back in 1996, I was a student at the School of the Art Institute in the inaugural class of their MFA in Writing Program. I had just decided to switch from Law School to Writing, and art school seemed the perfect place for me.

I had been mostly writing nonfiction and some poetry, and the themes that kept emerging in my work were ideas of identity, mythology, roots, and displacement. Then one day in the Fall, I was sitting in a guest lecture by Stuart Dybek. He read from The Coast of Chicago and talked about his process, and something inside me of me clicked and came alive.

As I listened to him, I realized that I had been trying to intellectualize what I really needed to tell as a story. I went home and wrote the first three chapters of what became The Silence of Trees. Stuart’s writing and his talk that day, reinforced the idea that fiction doesn’t have to be about lofty ideas and monumental characters–it could be about ethnic, familiar characters found in the neighborhoods of Chicago, it could combine realism with the fantastic, it could put two seemingly opposite things together to show something in a new light.

After that, I thought a lot about Chicago writers–the stories they choose to tell, the characters they capture and bring to life. When I first read about Donald Evans’ idea to start a Chicago Literary Hall of Fame, I felt a similar kind of click inside, not unlike Mircea Eliade’s hierophany. It was a moment of destiny and purpose–I wanted to be a part of this.

I was (and continue to be) inspired by the thought of creating a lasting tribute to great Chicago writers. I agree very much with Isaac Newton when he wrote, “If I have seen a little further it is by standing on the shoulders of Giants.” In Chicago, we have some fantastic literary Giants to honor.

So the event is now three days away, and it has evolved into something special:

LITERARY EVENT OF THE SEASON
INAUGURAL INDUCTION CEREMONY
CHICAGO LITERARY HALL OF FAME

Saturday, November 20, 2010
6 p.m.-10:00p.m.
Northeastern University
3701 W. Bryn Mawr Avenue, Chicago, IL
Parking Lot F

Emcee: Rick Kogan

Complimentary appetizers, desserts and drinks, including beer and wine
Ticket Price: $45
Chicago Writers Association Members/Students $35
Tickets Available at http://clhofinduction.eventbrite.com
or call 773.414.2603

Honoring:
Nelson Algren
Saul Bellow
Gwendolyn Brooks
Lorraine Hansberry
Studs Terkel
Richard Wright

At 7 p.m., the ceremony begins with Chicago journalist and radio legend Rick Kogan taking the stage to emcee an evening artfully orchestrated by Marc Smith, founder of the poetry slam movement. Among those accepting the posthumous honors of their famous writer relatives are Greg Bellow, Nora Brooks Blakely, Dan Terkell, Dana Smith (grandniece of Richard Wright) and Taye Hansberry (grandniece of Lorraine). Photographer Art Shay will accept for Algren. Complementing those most honored guests are a diverse collection of Chicago’s artistic community, all of whom have come together to join in this celebration. Representatives of the artistic community will be authors Audrey Niffenegger, Stuart Dybek, Haki Madhubuti, and Sara Paretsky; actors Gary Houston and Jackie Taylor; and the Nelson Algren Committee. Attendees will be entertained with vocal performances, as well as by local literary and theatrical groups.
·        6-7 p.m. Pre-ceremony reception (drinks and hors d’oeuvres)
·        7-9 p.m. Ceremony
·        9-10 p.m. Post-ceremony reception (drinks and desserts)
Parking:    Free         Dress:     Business Casual

I can’t believe that the Induction Ceremony is this coming weekend. It’s been a long road, and now it’s nearly here.

Along the way, I have learned a great deal and met amazing people. Truth be told, that’s my favorite part of this process—the people I’ve met from all areas of Chicago’s Arts communities: writers, musicians, sculptors, performers, journalists. I’m a firm believer in the magic that can happen when people from different perspectives and disciplines collaborate. The Chicago Literary Hall of Fame Induction Ceremony is an example of that collaboration.

I hope that you can join us this Saturday, November 20, at Northeastern Illinois University, to experience some of that magic for yourself.

http://www.chicagoliteraryhof.org/

Storytelling in Clay and Metal

Margot McMahon

I mentioned meeting the amazing sculptor Margot MacMahon at a Chicago Literary Hall of Fame event earlier this year. She impressed me with her insight into raising children and making time for Art. I have to admit that I didn’t know how incredibly talented she was, and the extent of her work that is collected internationally. I believe that as artists we encourage and challenge one another: our peers, our contemporaries, and those who come after us. Margot McMahon has definitely inspired me.

Executive Director Donald G. Evans is highlighting some of the whos and whats of the upcoming ceremony on the Chicago Literary Hall of Fame blog.

The first person to be featured is sculptor Margot McMahon, and it’s well worth your time to check out the blog and learn about this Chicago artist. I sincerely believe that McMahon is one of the artistic giants upon which the future will build their own inspired creations.

Here’s a taste:

My first impression of Margot McMahon’s sculptures was life. Like all great art, her three-dimensional representations give more than illusion—they allow the viewer to enter into the world of the subject,

suspending the knowledge that this is plaster or clay or bronze and seeing not only what’s there but what’s not. Her sculptures suggest motion.

Boy Gardener, by Margot McMahon

There’s hardly an artist better suited to creating our statue, and the fact that Margot has taken on this project will help make that moment special.

“I’m treating this award as a sculpture,” says Margot. “I want this to have a contemporary look, an active look. The gesture of the hand captured in the sculpture is in a thoughtful pause, the most active part of writing that gets us to the idea. The idea is what the writer is about, and the idea is what the reader is about.”

Read more on the Chicago Literary Hall of Fame Blog.

Meeting Neil

Conclave: A Journal of Character is printed and available on Amazon.com; the kitchen at Casa del Lobos is finished; I’ve finalized the plans for the Conclave Release Party (see next post); the kids performed in their first Ukrainian dancing performance; we found a mysterious hole in our basement that we thought was a crawlspace but is much deeper and has a ladder leading down into it, and I met Neil Gaiman.

I didn’t meet Neil in the hole in the basement, although wouldn’t that have been perfect in its own way?

I first “met” Neil thanks to the magic of twitter. Both of us are late-night writers online at the wee hours. This is one of the remarkable things about Twitter, that you can be in contact with other creative people whom you might otherwise not meet, and Neil is among a group of well-known writers, musicians, and artists who dip into twitter to communicate with fans and peers, and also to disseminate information. We had tried to orchestrate prior meetings, but tight schedules and other commitments made it impossible. The meet and greet at C2E2 was our only window this time. (Thank you, Cat and Lorraine.)

On Saturday, April 17, C2E2 hosted an Evening With Neil Gaiman at the Arie Crown Theater to benefit the Comic Book Legal Defense Fund (CBLDF). A colorful crowd for the Dream Experience held bags or stacks of Neil’s books, some toting small rolling suitcases filled with massive Absolute Sandman collections, waiting to be signed.

As we waited, we mingled; and my neighbors were the tall and cheeky Dr. Ross of Electrical Engineering at Purdue, the sweet and self-proclaimed shy Katie Barista from Terra Haute (see photo above), as well as a few others who floated in and out of our lively conversation that ranged from the need to supply scotch in waiting lines to coffee beans from Alabama to ex-lovers scarred by Billy Joel music.

Soon it was my turn, and after I introduced myself, Neil scooped me up in a hug that lifted me off the ground! (Those of you who know me well know that I am a hugger. I hug with ferocity the people dear to me, and I value a strong hug. This was a strong hug.)

He was sweet and sincere, and he made me feel as if we were old friends reunited. We spoke quickly about our tables by designed Kwak Chulan, the fascinating (albeit frustrating) phenomenon of the ashcloud, and how grand it would be to hear Gene Wolfe read again. Cat took a photo that she promised to send (I’ll post it when I get it), and I stepped aside to give the next person their opportunity.

After meeting Tony Harris, whose beautiful Art Nouveau-style artwork illustrates Neil’s poem about Sts. Oran and Columba, In Relig Oran, on a print that we were given at the event (signed by both men), I took my seat in the front row, next to Katie Barista and Dr. Ross.

We watched as the remaining fans had items signed and posed for photographs while engaging in surreal conversations with nearby folks about vampirism, the ability of human eggs to select their sperm, and the relative sex appeal of people in different professions.

Then Neil and Cat thanked everyone and went offstage to dine, while the rest of the ticket holders filed into the theater for the “Evening With…” event that began at 7pm.

Acclaimed comic book illustrator Jim Lee graciously introduced Neil, who then began reading: some new poems and stories, and some older pieces that he hadn’t read aloud in nearly ten years. He is a master storyteller, and his words come alive when spoken by the author himself.

From the beginning, Neil was conversational on the stage and seemed to genuinely enjoy himself, more freely sporting his puckish grin as the evening went on. After a brief intermission, he returned to answer questions collected from the crowd that included: how to get a publisher’s attention, subtle rebellion against a grammar school teacher, his upcoming Dr. Who episode, and his writing process. Walking around the stage, Neil would frequently look around and make eye contact with the audience. It’s one of his gifts, this ability to make people feel included.

The event ran late, much to the delight of his fans, and after sincere thanks for attending and supporting the CBLDF, Neil made a gracious exit.

Neil secured a special place in my family’s heart when he named one of his characters in The Graveyard Book Miss Lupescu (since that is the name of the family I married into. I go by Valya Dudycz Lupescu). My children adore his books and audiobooks, and they loved the film adaptation of Coraline. We have had lively family discussions about the differences between the two media. I treasure books and films that encourage a discourse between parents and children about things like making hard choices, fear, bravery, and fairies (my daughter missed the little fairy ghost girl from the book Coraline).

This is one of the things I admire about Neil’s writing—that it can bridge generations and entertain children, parents, and grandparents. He has books that would not be of interest to kids, but there are others that appeal to both. Certainly adults can appreciate allusions in them that may be lost on children, and kids can appreciate with a childlike wonder the absolute adventure of his words.

On Sunday morning, when I told my oldest daughter about the CBLDF event and showed her photographs on my phone, she was impressed. My photo with Neil gained me points in the cool-meter of my almost seven-year-old. This is no small feat and is probably my favorite part of the Dream Experience.

“Can he come to our house someday, Mama?” she asked. “So I can meet him and show him our Coraline door?”

Maybe. I have a lot of tea.

As Neil says, “Dream dangerously.”

***  Edited to add the link to Cat’s Chicago/Stillwater photographs: http://picasaweb.google.com/furrytiger/CHiStill?feat=email# ***