A Writer’s Apologia

For my friends and family (especially Mark):

 

A Writer’s Apologia 

1.

Although I love you, I may not see you for hours or days or weeks, even if we live or work together.

2.

When writing, my inbox and voice messages pile up around me until I forget that they are there. My intention is to get to them, but in all probability, they will be lost. I appreciate your efforts to send me repeated messages. I do not see these as nagging reminders. I see them as the effort of someone who understands that five reminders for a lunch date or an email every day until you get an answer, are not annoying—they are necessary.

3.

If I do answer the phone when you call, I will be brief or sound crabby. The fact that I have answered the phone rather than let it go into voice mail signals that I am either: a.) on a bathroom break, b.) procrastinating, c.) stuck on a challenging part, d.) cleaning, or e.) eating. I will be cranky if interrupted doing any of those things. Please do not take it personally. I am anxious to get back to work.

4.

I forget real-world details, like birthdays or plans made. I can be tremendously organized with charts of plot and sketches of characters taped on the wall or to my computer, but things like dentist appointments or lunch plans may be forgotten unless they are also taped to my laptop. Even then, I may mistake the note for a plot point, and my character may be the one to go to the dentist or attend a baby shower.

5.

If I am writing, I won’t leave the house unless I absolutely have to. If I do, the laptop or notebook will come with me, and I will remain in my own creative bubble appearing quite vacant or mad to people who do not know me. This is because I am actually writing in my head even when I am paying the cashier or pumping gas or walking. I will usually choose to walk rather than drive. For me, walking and writing work better than driving and writing.

6.

Once a story takes root, I forego dishes and vacuuming, quite possibly eating and drinking for small stretches of time. Then I will do them all at once in a manic frenzy, eating a piece of cheese, while drinking coffee, washing dishes or vacuuming, maybe both. Please resist the urge to laugh or criticize.

7.

I drink a lot of coffee. This is not hyperbole. I may drink pots of coffee and will leave the house to get more, even when I will not leave the house for food. We all have our vices. For some it’s tea or cigarettes or sorbet. This is the Universe’s way of forcing us to interact with the world, although online shopping and delivery may thwart that as well.

8.

I spend more money than I should on books, and many of them will find their way to the growing pile(s) on my nightstand. It’s not (only) that I lack willpower, but I buy them because they are somehow important to my writing: for comparison, education, research, or encouragement. It does not signal a problem unless the piles take over the entire floor of the bedroom.

9.

I forget that characters are not real for you, because while I am writing them, they are real for me. I know things about them that I do not know about you. I know their greatest fears and secrets, what they do in the dark when no one is watching, what they dream and desire.

10.

If I stare into space when you are talking, I am neither bored nor daydreaming. I have likely caught sight of something provocative: a sunset perfect for the backdrop of a murder, a woman arguing with her lover who punctuates each word with a stalk of asparagus, or a child that has fashioned a robot out of olives and carrots and while singing the Rocky Horror Picture Show in falsetto. These moments are creative catnip.

11.

You may find me staring out the window or pacing around the living room or twittering. Rest assured, I am writing.  Sometimes the mind needs to process. If this lasts more than a few days, I am procrastinating and need a proverbial kick-in-the-ass.

12.

Someday you may find yourself in a story. No one else will probably recognize you; you may not even recognize yourself, but a characteristic or anecdote or snippet of dialog will finds its way in. To love a writer, is to accept eventually being written into something.

13.

If I need that proverbial kick-in-the-ass, be kind. It is likely that I know I am procrastinating, and I know that you know I am procrastinating, and I probably feel terrible about it.  Asking questions about the plot or characters may help to get things moving again. It may not. Hugs are always nice.

14.

When signing books, I will ask you to spell your name even if you have been my best friends since the first grade. After signing dozens (or hundreds) of books, there is a process of dictional shutdown where even my name starts to look funny. You know when you look at a word for a long time and it just looks wrong, even though you know it’s correct? This is like that, but worse.

15.

If you see me in the company of other writers or artists, do not take offense. This does not negate #5 above. Less than socializing, this is a survival instinct. Writers are an odd breed, we gather together in workshops, conferences, or reading series to reassure one another that we are sane and not alone.

16.

I may become preoccupied with a particular object, food, or musical selection. This may be a stone, a special Mexican hot chocolate, sandalwood incense, a silk scarf, or Chopin album of compositions for the piano. These items are book or story-specific, tied to the plot or a character in some way. They do not signal an addiction or collection. Please do not buy me stones, hot chocolate, incense, silk scarves, or Chopin cds. It is not necessary.

17.

Do not attempt to foil any new routines that may develop. The drinking of the Mexican hot chocolate or the playing of the album over and over again may drive you mad and appear obsessive, but they are part of a necessary ritual. They become a familiar backdrop and subliminal prompts to help get me into the story. Routines are also a way to help deal with the chaos of the creative process, as are charts and notes (see #4).

18.

I may choose to go away from time to time, to be alone in hotel room or a cabin or a friend’s house. This is not because I do not want to see you. Quite the opposite. This is because I do care about you, and it is hard to withdraw into my own little world when I am surrounded by people I care about and with whom I want to spend time. Going away removes the temptation of you, and allows me to focus. Even though I miss you, I will not write often (see #1, 2, and 3).

19.

Please do not compare me with the person I am when not writing. To you, we may not appear the same, but we are. I am. I am the introvert hermit scribbling away in my sandalwood-scented room wearing a silk scarf around my head and listening to Chopin on repeat while drinking Mexican hot chocolate in one hand and playing with a stone in the other.  I am also the wife who loves to curl up on the couch watching Doctor Who with her husband, the mother who dances to the Beatles in the kitchen with her children, and the hostess of formal dinner parties for her favorite circles of friends.

20.

The writing life is a slightly schizophrenic way of being, perhaps the price for creating worlds in our heads.

Know that while the incense and scarf and chocolate are touchstones for my creativity, you are a touchstone for my life.

~Valya Dudycz Lupescu, March 2012

In the Company of Wolves

I became involved with the Chicago Literary Hall of Fame because I believe that Chicago has an important literary legacy deserving of attention. After two induction ceremonies where we celebrated historical writers, it was time to look at the contribution of writers living and working in Chicago.

The Fuller Award (Photo by 8 Eyes Photography)

After some discussion, it was unanimous, and we moved forward to create a new award, the Fuller, to honor a lifetime contribution to Chicago literature. (You can read more about the significance and symbolism of the award here.)

Poster & sculpture design by M.C. Matz (www.mcmatz.com)

There was no question in my mind that Gene Wolfe should be the person to receive the first Fuller Award.

His work is rich, innovative fiction worthy to stand beside many of the literary giants that have shaped not only Chicago’s literature, but modern literature as a whole.

There was briefly a question of “genre writing,” but if we take a look at the literary landscape, the fantastic is an important part of it. Homer, the greatest epic poet of Ancient Greece wrote about Odysseus’ adventures among gods and men. Dante’s La Divina Commedia drew upon medieval Christian mythology in a journey through Hell, Purgatory, and Heaven. Shakespeare incorporated folklore and fairies into his plays. Edgar Allen Poe, Nathaniel Hawthorne, and Oscar Wilde all introduced elements of the supernatural in their works.

Considered to be some of literature’s greatest writers, many of their stories would likely be considered Fantasy and Science Fiction by today’s genre classification. Somewhere along the way, mainstream literature became aligned with realism, but if we look back on the literary spectrum, we see that much of it is saturated with the unknown, the mysterious—the fantastic.

Gene’s work is like that—fantastic and significant.

After talking with Gene and receiving his gracious acceptance, I corresponded with Neil Gaiman. A long-time champion of Gene’s writing, he was my touchstone. After Neil, I contacted others: writers, editors, family, friends; and they responded with overwhelming enthusiasm.

Again and again they confirmed what I believed, that people love Gene Wolfe.  Upon meeting Gene, a respect for the writer and his words evolves into a genuine affection for the man.

March 17, 2012 brought us a day of unseasonably warm weather and sunshine. We headed toward Barrington Hills, stopping for a delicious lunch at the Happy Buddha; and as I looked around the table during our meal, I was once again reminded how blessed I am to have these dear friends in my life. Many of them had been up late the night before, helping me to fold, cut, paste, and package. Even friends who couldn’t attend the event had pitched in to help in during the months before the event. (Thank you!)

A few quick errands, and we arrived at the Sanfilippo Estate for final touches and setup.

I love this photo of Trillian Stars in front of one of the many steam engines on the Sanfilippo grounds. (Photo by Kyle Cassidy.)

Soon after the guests arrived, and while I waited for Neil and Maria Dahvana Headley in the Carousel Pavilion, I received texts from the folks at the house with updates on guests’ arrivals and the progress of signings and check-in.

Teri Goulding pins the boutonnière on her father, Gene Wolfe. (Photo by Carl Hertz)

Bill Shunn Michael Swanwick, and James Wynn have already posted their accounts of the evening, accompanied by photos and videos.

Lawrence Santoro signs the beautiful commemorative posters created by M.C. Matz. (Photo by 8 Eyes Photography)

Others will surely do the same, and in many ways their perspective is better than mine because they entered into the evening as participants, stepping into the “container” that I helped to create with the assistance of talented friends. It’s like a magic trick, best enjoyed by the audience (but savored in a different way by those who know the trick).

Terra Mysterium (photo by 8 Eyes Photography)

The afternoon was a whirlwind of rehearsals, tours, photos, and the eventual start of the ceremony.

Gary K. Wolfe (Photo by 8 Eyes Photography)

After Gary K. Wolfe’s inspired introduction, Neil’s reading of “A Solar Labyrinth,” and his heartfelt presentation of the Fuller, Gene took the stage.

Neil Gaiman and Gene Wolfe (Photo by 8 Eyes Photography)

His speech was so gracious and genuine, so smart and witty—so very Gene.

Gene Wolfe (Photo by 8 Eyes Photography)

After Gene’s speech, I knew I could relax. I never doubted that Terra Mysterium’s performance of Gene Wolfe’s “The Toy Theater” (adapted by Lawrence Santoro) would be wonderful, and it was.

The Toy Theater, performed by Terra Mysterium (Photo by 8 Eyes Photography)

Once the organist R. Jelani Eddington took the stage, I slipped into the foyer where I could still hear the music.

Maria Dahvana Headley and Valya Dudycz Lupescu (Photo by Carl Hertz)

A small group of us had gathered there: Neil, Peter Straub, Carl and Mark, Audrey, Kyle, and Maria, and 8 Eyes Photography.

Neil and Valya (Photo by Carl Hertz)

Neil told me that Amanda had called at precisely the moment when one of the marionettes was singing “Coin-Operated Boy” during the audio-play. It made me smile. Neil had been such an invaluable ally, and I liked being able to slip in a little echo of Amanda into the evening; the song was a perfect addition to the story and the setting.

Neil Gaiman and Audrey Niffenegger (Photo by Carl Hertz)

So much followed, from fun photos on the grand staircase to the Great Coat Closet Party of ’12, while in the adjoining music salon Jelani played Star Wars on the 8,000-pipe Wurlitzer.

Great Coat Closet Party of ’12, (Photo by Carl Hertz)

I love this incredible circle of creative people in my life. They don’t all appear in the photos here, but I remember their contribution. I couldn’t have done it without them. The evening was proof that together we can make magic.

Kyle Cassidy, Valya Dudycz Lupescu, Trillian Stars, Peter and Beth Sagal, Neil Gaiman, Maria Dahvana Headley (Photo by 8 Eyes Photography)

After the performance and more photos, we moved to the magnificent Carousel Pavilion which looked so lovely lit up in antique lights. Chef Jeramie Campana of Wild Asparagus and his team treated us to a delicious meal.

(Photo by 8 Eyes Photography)

Peter Sagal was the perfect toastmaster, fabricating quirky biographical anecdotes for each speaker as he introduced them.

Peter Sagal (Photo by 8 Eyes Photography)

Each of the Special Guests who took to the podium offered his or her own perspective on Gene and his work, beginning with Gene’s daughter, Teri Goulding, who talked about how proud her mother, Rosemary, would have been.

Therese Goulding (Photo by 8 Eyes Photography)

Rosemary was not well enough to attend, and her absence was felt by all who loved Gene. In my own small way I had had tried to include her by attaching a few small sprigs of rosemary to Gene’s boutonniere.

Luis Urrea (Photo by 8 Eyes Photography)
Dr. Elizabeth A. Hull (Photo by 8 Eyes Photography)
Jody Lynn Nye (Photo by 8 Eyes Photography)

Following the speeches, dinner, dessert, and cordials, Greg Leifel, the Foundation Director at Sanfilippo announced that guests could ride the antique carousel. The crowd cheered, loudly, then ran to stand in line. What followed is best expressed in a few photos:

Michael Dirda (Photo by 8 Eyes Photography)
Terra Mysterium (Photo by 8 Eyes Photography)
Jill Thompson, Neil Gaiman, and Kyle Cassidy (Photo by 8 Eyes Photography)

Joy. Wonder. You can see it reflected on their faces in photos and in this video by Bill Shunn:

That carousel evoked such a joyful response. I could think of no better way to end an evening that honored a man whose stories delight so many people. To see his face lit up, to see him so happy—it was the perfect way to close the night.

Gene Wolfe and Rebecca Bushong-Taylor (Photo by 8 Eyes Photography)

Maura Henn, and Kyle and Trillian, were staying with us, and some of the guests met us back at our home. Joined by Peter Straub, Gary K. Wolfe and Stacie Hanes, Jennifer Stevenson, and others, we had cocktails, wine, and cheese, and sat around the living room relaxing in various stages of exhaustion and inspiration.

Then it was over.

When the house was quiet, Kyle, Maura, and Mark chatted while I fell asleep on the couch. In the morning it was like a fantastic dream.

I’ve been eagerly awaiting photos from the evening. Slowly they have begun to appear online.

(Photo by 8 Eyes Photography)
Maura Henn, Maria Dahvana Headley, Valya Dudycz Lupescu, Trillian Stars (Photo by 8 Eyes Photography)

The photos help to make it more concrete, just as writing this blog entry helps to tether it to reality, as if written words can keep An Evening to Honor Gene Wolfe from drifting off into that nebulous realm of dreams and memories.

In life, we are lucky to meet people who inspire us. Sometimes we encounter them through their work—stories and images that strike a chord. Sometimes we are lucky enough to have them for friends. This weekend was filled with both.

Valya Dudycz Lupescu, Gene Wolfe, Walter Dudycz (Photo by 8 Eyes Photography)

Thank you to everyone who helped to make it happen.

More pictures from the evening can be found at: 8 Eyes Photography

And more accounts of the evening by:

William Shunn

Michael Swanwick

Magic and Mischief

Trillian Stars

Conglomerations and Creative Ripples

Some moments make creative ripples in the Universe.

They may be quiet affairs of a half dozen or less people. They may be large gatherings, well-publicized and documented for posterity. Sometimes all we have are whispers, hints of an evening in letters and diaries.

• In the 1930s, J.R.R. Tolkien, C.S. Lewis and the other “Inklings” met on Thursday evenings in C.S. Lewis’s rooms at Magdalen College. They also met on Tuesday nights at the Eagle and Child pub (affectionately known as the “Bird and Baby”) in a private back room for conversation and drinks.

• In Paris in the early 1900s , Gertrude Stein and her brother Leo hosted Saturday night dinner parties at their home. On any given Saturday, Picasso, Ezra Pound, Ernest Hemmingway, Alice B. Toklas, and others gathered.

• In Taos, New Mexico, Mabel Dodge Luhan and her husband welcomed poets and writers into their home for the second half of the twentieth century. Their guests included D. H. Lawrence, Ansel Adams, Willa Cather, Georgia O’Keeffe, and more.

• The Algonquin Round Table was the infamous setting for the wisecracks and witticisms of Dorothy Parker, Alexander Woollcott, Robert Benchley, Edna Ferber, and 24 other members.

• On June 11, 1965, American and European beat poets performed at the Royal Albert Hall for an impromptu event – the International Poetry Incarnation – that some argued marked the birth of London’s gestating counterculture.

Creative ripples.

Sketch of Gene Wolfe by Murray Ewing

On March 17, 2012, the Chicago Literary Hall of Fame will present its first-ever Fuller Award to Gene Wolfe, a brilliant writer whose work engages the imaginations of readers all over the world.

At the Sanfilippo Estate, guests are coming from all over the country to honor Gene Wolfe. In attendance will be: Neil Gaiman, Peter Sagal, Gary K. Wolfe, Audrey Niffenegger, Peter Straub, Michael Swanwick, Michael Dirda, Luis Urrea, and more.

There will be writers, artists, dancers, musicians, photographers, journalists, chefs, knitters, sculptors, and patrons from around Chicago—steampunk to hippy, gothic to folk, some in college and others well into their retirement. It’s going to be an incredible gathering of creative people, and you are invited.

When people talk about the Chicago Literary Hall of Fame’s first Fuller Award Ceremony, will you be able to recount your memory of Gene Wolfe receiving the award statue from Neil Gaiman? Or share a snippet of your conversation over the sweet table with one of your favorite living writers? Or recall the moving speeches and witty toasts given by some of Gene’s closest friends?

When people talk about an Evening to Honor Gene Wolfe at the steampunk mansion with the living marionettes and Gene’s words brought to life on stage and accompanied by the world’s largest restored five manual Mighty Wurlitzer, will you be able to say that you were there?

I hope you will.

Because like the musical machines collected by Jasper Sanfilippo at his “Place de la Musique,” this event is made more remarkable by the diversity of its parts, an audience coming together not only to honor a brilliant writer, but also to celebrate the whimsy and delight of art and imagination.

Join us for an evening that is sure to be wonder-filled.

Register for An Evening to Honor Gene Wolfe at the Sanfilippo Estate in Barrington Hills, IL  on Eventbrite