A Little Goncharov For Thanksgiving

Movie poster for the fictitious film, Goncharov.
Movie poster by Alex Korotchuk, (beelzeebub.tumblr.com)

If you have not heard of the recent Tumblr phenomenon of Goncharov, you have only to google it to read a breakdown by The Guardian, Variety, and NBCnews.

What began a few years ago on Tumblr with a photograph of a pair of boots with a label that read “The greatest mafia movie ever made. Martin Scorsese presents GONCHAROV,” evolved into an online collaborative fan community that is still working to world-build an entire film franchise that never existed. 

I learned about it the way I learn about most memes and pop culture, from my teenagers. In the days leading up to Thanksgiving, we had a group chat spring up on Discord that included two family friends who were going to be joining us for the holiday from out of town. One of the topics of conversation turned to Goncharov, the imaginary film around which an active Tumblr fan community had sprung up, as if it had been a real, little-known cult classic from 1973 made by Martin Scorsese. 

It became a fun creative exercisein the middle of the day, one of the kids would send a question about Goncharov: “What do you think about the relationship between Katya and Sofia?” or “What did you make of the clock tower imagery?” or “Goncharov… iphone or android guy?” To which someone else would playfully answer. 

This same kind of thing was happening on a massive scale on Tumblr, where artists created movie posters and promotional materials, composers posted songs and soundtracks, people posted deleted scenes and script fragments. There are reviews and academic papers, fictitious Wikipedia and IMDb listings, and A LOT of fan art.

Lynda Carter posted a photo on her Tumblr with Henry Winkler that she captioned, “Me and ‘The Fonz’ at the premiere of Goncharov (1973) at Grauman’s Chinese Theatre.”

Discussions popped up about the characters and who would play them in the reboot. Posts were shared hundreds, then thousands of times. A Goncharov (1973) Lore Google Doc and Discord server were created to help keep the content organized.

Ice-Pick Joe’s Demise.

Our family’s fan-favorite character was Ice-Pick Joe, so I wrote “Musings on Ice-Pick Joe” in between chopping veggies for stuffing and waiting for the sweet potatoes to roast, complete with some AI-generated art. That was four days ago, and the post has been liked and shared more than I anticipated, and I keep thinking about why that is.

Conversations around Goncharov have continued, and I find myself wondering what it is about this moment in time and this type of activity that continues to capture so many people’s imagination and engagement? Tumblr is a hub for public fandom culture and community in a way that the other social media platforms are not. It’s where you can find discourse and fanfiction/fanart for almost anything.

Still, this is a little different and on a much larger scale. At a time when people are looking for Twitter alternatives, with the stress and joy of holidays approaching, what is drawing so many people in?

We talked about this over Thanksgiving: the way Goncharov allowed people low-stakes permission to create, to play to their particular strengths, to connect with other people, to escape reality for a moment, to build a new community. We talked about the shortcomings and challenges we saw: power dynamics, issues of race, etc.

It’s an evolving experiment, and as such, it has been shaped by the many variables involved and course-corrected each time someone notices a gap or opportunity: What would a musical look like? What if some of the actors had gone on Sesame Street or the Muppet Show? What if Gonzo played Goncharov and Miss Piggy played Katya? What would the remake look like set in 1980s NYC? What recipes might be created for the Goncharov cookbook? (I remember how much fun we had making the Forking Good cookbook.) There really is no end to what people can come up with. I’m waiting to see if Goncharov gets a Tom Gauld comic or a mention on Saturday Night Live. 

It seems relevant that role-playing games, both online and tabletop, have recently increased in popularity. Dungeons and Dragons was the cornerstone of Stranger Things, and 50,000 people attended Gen Con (tabletop game convention) in 2022. It’s not my world, although I’ve watched the joy my kids take in it. My energy goes into writing, but I can absolutely appreciate the fun of playing together. 

As a writer, I walk around with worlds in my head, but I don’t get to share them until they get published. Something like Goncharov, which was not an intellectual property “owned” by anyone, gives people permission to imagine and play.

I think it speaks to a need we have an human beings to experience connection, joy, wonder, and hope. We’ve always had those needs. People have been gathering around fires or tables, telling stories, for thousands of years.

Today, the hearth may be a computer or a phone, but the desire is not that different. My November began with the publication of Mother Christmas, my graphic novel, the secret origin of the Santa Claus story which is rooted in the ancient Muses, whose gifts inspire humanity. One of the questions my story attempts to answer is: Where does inspiration come from?

If we look at Goncharov we can see that inspiration comes from so many places. So much is possible when people given themselves permission to play, to shrug off the inner critics and outer trolls, and to imagine for a moment a different world that they have a part in creating. That is such a powerful and compelling idea.

Stories remind us that we are not alone, that we share struggles, and that we can overcome obstacles. There are so many challenges in the world right now. Maybe Goncharov is a lens through which people are seeing themselves and each other, reminding us how much fun it is to make-believe and how powerful it can be to have a shared image of the world.

The first step in creation is imagining. Exercising that muscle, allowing ourselves to play and tell stories and make art is a worthwhile one, and I think it’s one that we need to survive.  The Goncharov phenomenon gives me hope, because if we can have this many people put their energy into creating a whole world around Goncharov, just imagine what else is possible?

 

Geek Parenting on the Positive Parenting Podcast

Photo by Kyle Cassidy, 2016.

Stephen Segal and I talk about our new book, GEEK PARENTING: What Joffrey, Jor-El, Maleficent, and the McFlys Teach Us about Raising a Family, with Armin Brott, a.k.a. Mr. Dad, on Positive Parenting, followed by an interview with Deborah Heisz of Live Happy.

(I like the message of our book covers beside one another. 🙂 We have some interesting overlaps in our books’ messages: the importance of play, finding your tribe, being grateful, nurturing creativity. )

Click here to listen: GEEK PARENTING Positive Parenting Podcast

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Things Literary and Fantastic

This past weekend I returned to New York City to spend time with the wonderful Nancy Hightower (who just signed her poetry collection, The Acolyte, with Port Yonder Press).

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I also met with my new literary agent, Sara Crowe of Harvey Klinger, Inc.

Sara represents children’s fiction and adult fiction and non fiction. Her clients include NYT Bestselling author Jonathan Maberry and USA Today Bestselling author Jeff Hirsch; her authors have been nominated for Edgars and the Morris Award, and have been on the ALA Best Fiction for Young Adults list and in the Top Ten. She is consistently ranked among the top three YA and MG agents in Publishers Marketplace.

We had a lovely chat, and I know that my next book, The Supper Club, is in good hands.

Following our meeting, I headed to WORD Bookstore in Brooklyn with Nancy and Brooke Bolander to attend Jeff VanderMeer’s reading from his new book, Annihilation.

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Jeff is a terrific reader—clever, witty, and well-spoken, and it was a fun event (so be sure to attend a reading and get your book signed if he comes to a town near you). I love stories where the setting is a character, so I’m especially excited to read Jeff’s newest novel, set in an eerie version of southern Florida’s wild coastline.

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Friday was all about Electric Velocipede. Run by John Klima for twelve years, the beloved magazine published quality genre fiction by more than 250 writers, including Catherynne M. Valente, Jeffrey Ford, Rachel Swirsky, Jeff VanderMeer, and Jay Lake.

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A release party/memorial service at Bluestockings Bookstore celebrated the 27th and final issue of Electric Velocipede and featured readings by ten writers who have been published in Electric Velocipede over the years:

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After Bluestockings, people were invited to an after-party at David Edison’s place in the East Village. Earlier in the day, with the help of Stephen Segal, Nancy, Brooke, and I had gotten to work transforming David’s apartment with red lights, blue lights, and hanging skeletons.

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The space invites that kind of playful decoration, so we turned the three floors into a “Danse Macabre” backdrop for writers, editors, and other creatives to gather and celebrate John’s magazine and the excellent writing he published over the years. It was a full house and a joyful last hurrah.

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The following day, we were lucky enough to enjoy a lazy afternoon with friends, the perfect way to wind down and end my visit.

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I caught the plane back to Chicago early the next morning (narrowly avoiding the next snowpocalypse-vortex), to come home to the family and a visit from the lovely Maura Henn, who was traveling through Chicago on her way to Minnesota.

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I think back to 2008 when I was living in Germany and feeling such a lack of creative community. Just over five years later, and I am grateful to be surrounded by talented, innovative, imaginative writers, editors, agents, and artists. Some are in different cities and others are in the same neighborhood, but we are a community.

It is certainly possible to navigate these waters alone, but for me, it’s so much more enjoyable to have a cherished circle. We do the work, we make our art, we tell our stories, we support one another when we can, and when we come together, sometimes we make magic. Together, the journey becomes as meaningful as the destination.