This urge, wrestle, resurrection of dry sticks

I’m takinga break from reviewing submissions for Conclave: A Journal of Character to update my marketing/author promotional materials for my agent.

Last update from Agent Man was that five publishers have my manuscript, The Silence of Trees and are waiting to see my bio and marketing strategy.

(Of course, I hadn’t intended to stay up until 3:30am putting these materials together. Tomorrow I have lunch and dinner plans with friends. Coffee will definitely be a part of both dining experiences.)

Night.

Notes on Character and Conclave on NewPages

NewPages Blog recently listed an entry about the editorials in Conclave: A Journal of Character and American Short Fiction:

Some Notes on Character

“I ran across a couple of great editorials in the most recent issues of American Short Fiction and Conclave. Both speak the the nature of character in writing as well as, for Conclave, in photography. Below are some excerpted portions which create a kind of conversation between them.

From Editor Stacey Swann of American Short Fiction (44, Summer 2009):

Like most writers, I grew up reading books—loving the characters and their stories. But I also loved learning about the world. While I understood that Narnia was not a real place or Tom Sawyer a real person, I still invested a great deal of authority in authors: the way they viewed the world was correct on a fundamental level. This explains why studying John Keats’s "Ode on a Grecian Urn" in high school remains a vivid memory for me. It was the first time I strongly disagreed with what an author was espousing. No matter what Keats thought, no matter what my English teacher echoed, I was certain that beauty was not truth and truth was not beauty. It wasn’t just that many fundamental truths about the world were ugly; beauty wasn’t important enough to equate with truth.”

Click here to read more.

(To read the complete Foreword and Introduction, as well as other works from our inaugural issue, go to the Conclave: A Journal of Character website.)
 

One Book

“Walden is the only book I own, although there are some others unclaimed on my shelves. Every man, I think, reads one book in his life, and this one is mine. It is not the best book I ever encountered, perhaps, but it is for me the handiest, and I keep it about me in much the same way one carries a handkerchief – for relief in moments of defluxion or despair.” (White in The New Yorker, May 23, 1953)

A friend recently invited me to be interviewed on a new literary site (info to come later). He asked me a bunch of questions about reading and writing. When thinking about the answers, I wanted to look back at books I own, but I couldn’t find many of them. Right now my books are scattered around the world, and I feel slightly unsettled because of this.

Some of my books are en route from Germany. Others are in Chicago, while others are in storage. I don’t like having them in three different places.

This got me thinking about beloved books and the above White quotation.

I would have to say that the most constant literary touchstone for me over the last 15 years has been Louise Glück’s First Four Books Of Poems.

Other books have moved me greatly and have shaped my writing and thinking more, but I find myself returning to the poems in this collection again and again like comfort food for thought.

So I wonder, what’s your “one book”?