Read the Mini Opera Libretto Submissions Online

The librettos submitted for the Mini Operas Script Competition have all been posted on their website, and I’m enjoying the different interpretations of the seed stories written by Neil Gaiman, Will Self, and A.L. Kennedy.

If you’re curious, you can peruse them here.

My submission, Sleep Masque: An Opera In One Act can be found here.

On June 4th, they will unveil the ten scripts selected as inspiration for the Soundtrack Competition. Composers will choose a script that they like, then compose and record an original sound track for it. Ten compositions will be chosen for the next round. You can read more on the Mini Operas site.

I loved the challenge of creating something new in an unfamiliar form, and the spirit of collaboration is something I very much support.

I’ll enjoy watching the process unfold.

Good luck to all the competitors.

 

Remembering Myron

Myron at Eagle Cove (Photo by Christine Mandybur Martz)

My friend, Myron Mandybur, died this past weekend.

I hadn’t been online all day, hadn’t seen the facebook messages from Myron’s sister or messages from friends. I was running around getting ready for an out-of-town guest and a friend’s baby blessing. My sister sent me a text that I didn’t see:

Myron died.

So my sister called me, and I was irritated to be interrupted since I was running late, cranky on the phone until she said the words, “Myron died.”

It really was like having the wind knocked out of me: Myron. Died.

I went to his facebook page, and there were the words from his sister (from Saturday, April 28, 2012):

The most beautiful light went out today. He left this world peacefully, in the arms of his sisters and brother, at 5:50am. We love you, Myron. With all of our hearts and souls.

So it was true. Myron died.

Myron.

He became my friend and my sister’s friend when we were all part of the Ukraina Folk Dance Ensemble. Each Tuesday and Friday night we would go to practice with our choreographer Evhen Litvinov. After practice, dancers hung out in Chicago CYM (the Chicago headquarters for the American Ukrainian Youth Association) or grabbed a bite to eat at Tecalitlan or Pepe’s. Many of us spent a large chunk of our adolescence and teen years at CYM, just as our parents had before us.

I can’t remember exactly how we became friends, but Myron was one of my favorite people there. I admired the enthusiasm with which he danced. Myron didn’t care if he wasn’t in the front row center, he was just happy to dance. He had an easy smile and a light in his eyes. Even if he was tired or having a rough day, he smiled and it was sincere.

I was in junior high and later in high school, and I saw many things in Myron that I hoped to cultivate in myself: his passion for his music, the way he made people feel included, and how he seemed to find so much joy in life.

Myron was never one to let someone feel left out or unwelcome. When my sister Nadya, my cousin Larissa, her friend Angie, Zeke and Darian Pasika came up from the younger group, Myron also became their friend as well. His friendship was a gift, and he was unlike anyone else I’ve ever known. There was good-natured teasing and jokes, but it was always in fun. I think that everyone loved Myron.

One of the most positive and grounded people I have ever known, Myron didn’t sweat the small stuff, and he always put things in proper perspective. This was another lesson I learned by watching him. I appreciated his honest opinion when we talked about life, relationships, and dreams for the future. He was always supportive and enthusiastic.

At Paula & John Howe's Wedding.

As we grew older, our paths diverged. We stopped dancing with Ukraina, each moved to different cities at different times, but through it we all kept in touch with an occasional birthday phone call or random email.

In January 2008, when my novel was up on Amazon for the ABNA contest, Myron wrote the following review of the excerpt of The Silence of Trees:

I don’t know if this is a good thing to write in a review but you remind me of my grandmother. Not you personally but the way you tell your story. I remember being a little child and climbing into bed next to Baba and she would paint me a picture with her words that made me see what her life was like way back in the day. You do the same with your writing.

I’ll keep an eye out for your work.

Thanks again.

Myron M.

I was still living in Germany at the time, and I don’t think I remembered to tell him how much that meant to me–how perfect it was.

I was shocked when I heard about Myron’s illness later that year; he had been diagnosed in December 2008 with melanoma, and again in the summer of 2009. If anyone could beat something like that, it was Myron. I had to believe it, and for a while, he did.

My brightest memory of Myron, and there are so many, was a night up in Baraboo, Wisconsin in the early 90s. Our dance group had driven up to the Oselya to perform, and my sister, Myron, and I stayed up all night talking after the concert. We sat outiside, up by the barracks, and watched the sun rise.

It was a perfect moment, and if I close my eyes I can see it. I remember the smell of beer and wet grass, the hint of Myron’s cigarettes. It was cool, and the three of us sat close with Myron in the center. We had been talking for most of the night, and at that time we just sat there quietly, fully present, and watching.

Later, as we walked back to our bunks, Myron put his arm around me and thanked me for listening. He said that moments like that you hold onto no matter how much times passes. He was right, I’ve never forgotten.

In February of this year, the father of our friends Zeke and Darian Pasika passed away suddenly, and my sister and I attended the wake. We saw Myron there, and the three of us sat scrunched together on this little bench inside the funeral home. As he sat next to me, his hat in his lap, I couldn’t help but think of that night in Baraboo as the three of us watched the sun rise. Neither of us had seen Myron in ages.

We hugged and had a few minutes to talk. Myron told us about the latest treatment and how he’d been feeling better. We spoke of getting together soon, and then my sister and I hurried home to our kids. It was the last time either of us saw Myron alive.

The visitation and services for Myron are this Wednesday, May 2, 2012. I think I’m going to stay up all night on Wednesday to watch the sun rise and remember the beautiful, bright spirit that was Myron. I am better for having known him. I am honored that he was my friend, and I will never forget him.

Vichnaya Pamyat. Eternal memory.

What is remembered lives.

A Writer’s Apologia

For my friends and family (especially Mark):

 

A Writer’s Apologia 

1.

Although I love you, I may not see you for hours or days or weeks, even if we live or work together.

2.

When writing, my inbox and voice messages pile up around me until I forget that they are there. My intention is to get to them, but in all probability, they will be lost. I appreciate your efforts to send me repeated messages. I do not see these as nagging reminders. I see them as the effort of someone who understands that five reminders for a lunch date or an email every day until you get an answer, are not annoying—they are necessary.

3.

If I do answer the phone when you call, I will be brief or sound crabby. The fact that I have answered the phone rather than let it go into voice mail signals that I am either: a.) on a bathroom break, b.) procrastinating, c.) stuck on a challenging part, d.) cleaning, or e.) eating. I will be cranky if interrupted doing any of those things. Please do not take it personally. I am anxious to get back to work.

4.

I forget real-world details, like birthdays or plans made. I can be tremendously organized with charts of plot and sketches of characters taped on the wall or to my computer, but things like dentist appointments or lunch plans may be forgotten unless they are also taped to my laptop. Even then, I may mistake the note for a plot point, and my character may be the one to go to the dentist or attend a baby shower.

5.

If I am writing, I won’t leave the house unless I absolutely have to. If I do, the laptop or notebook will come with me, and I will remain in my own creative bubble appearing quite vacant or mad to people who do not know me. This is because I am actually writing in my head even when I am paying the cashier or pumping gas or walking. I will usually choose to walk rather than drive. For me, walking and writing work better than driving and writing.

6.

Once a story takes root, I forego dishes and vacuuming, quite possibly eating and drinking for small stretches of time. Then I will do them all at once in a manic frenzy, eating a piece of cheese, while drinking coffee, washing dishes or vacuuming, maybe both. Please resist the urge to laugh or criticize.

7.

I drink a lot of coffee. This is not hyperbole. I may drink pots of coffee and will leave the house to get more, even when I will not leave the house for food. We all have our vices. For some it’s tea or cigarettes or sorbet. This is the Universe’s way of forcing us to interact with the world, although online shopping and delivery may thwart that as well.

8.

I spend more money than I should on books, and many of them will find their way to the growing pile(s) on my nightstand. It’s not (only) that I lack willpower, but I buy them because they are somehow important to my writing: for comparison, education, research, or encouragement. It does not signal a problem unless the piles take over the entire floor of the bedroom.

9.

I forget that characters are not real for you, because while I am writing them, they are real for me. I know things about them that I do not know about you. I know their greatest fears and secrets, what they do in the dark when no one is watching, what they dream and desire.

10.

If I stare into space when you are talking, I am neither bored nor daydreaming. I have likely caught sight of something provocative: a sunset perfect for the backdrop of a murder, a woman arguing with her lover who punctuates each word with a stalk of asparagus, or a child that has fashioned a robot out of olives and carrots and while singing the Rocky Horror Picture Show in falsetto. These moments are creative catnip.

11.

You may find me staring out the window or pacing around the living room or twittering. Rest assured, I am writing.  Sometimes the mind needs to process. If this lasts more than a few days, I am procrastinating and need a proverbial kick-in-the-ass.

12.

Someday you may find yourself in a story. No one else will probably recognize you; you may not even recognize yourself, but a characteristic or anecdote or snippet of dialog will finds its way in. To love a writer, is to accept eventually being written into something.

13.

If I need that proverbial kick-in-the-ass, be kind. It is likely that I know I am procrastinating, and I know that you know I am procrastinating, and I probably feel terrible about it.  Asking questions about the plot or characters may help to get things moving again. It may not. Hugs are always nice.

14.

When signing books, I will ask you to spell your name even if you have been my best friends since the first grade. After signing dozens (or hundreds) of books, there is a process of dictional shutdown where even my name starts to look funny. You know when you look at a word for a long time and it just looks wrong, even though you know it’s correct? This is like that, but worse.

15.

If you see me in the company of other writers or artists, do not take offense. This does not negate #5 above. Less than socializing, this is a survival instinct. Writers are an odd breed, we gather together in workshops, conferences, or reading series to reassure one another that we are sane and not alone.

16.

I may become preoccupied with a particular object, food, or musical selection. This may be a stone, a special Mexican hot chocolate, sandalwood incense, a silk scarf, or Chopin album of compositions for the piano. These items are book or story-specific, tied to the plot or a character in some way. They do not signal an addiction or collection. Please do not buy me stones, hot chocolate, incense, silk scarves, or Chopin cds. It is not necessary.

17.

Do not attempt to foil any new routines that may develop. The drinking of the Mexican hot chocolate or the playing of the album over and over again may drive you mad and appear obsessive, but they are part of a necessary ritual. They become a familiar backdrop and subliminal prompts to help get me into the story. Routines are also a way to help deal with the chaos of the creative process, as are charts and notes (see #4).

18.

I may choose to go away from time to time, to be alone in hotel room or a cabin or a friend’s house. This is not because I do not want to see you. Quite the opposite. This is because I do care about you, and it is hard to withdraw into my own little world when I am surrounded by people I care about and with whom I want to spend time. Going away removes the temptation of you, and allows me to focus. Even though I miss you, I will not write often (see #1, 2, and 3).

19.

Please do not compare me with the person I am when not writing. To you, we may not appear the same, but we are. I am. I am the introvert hermit scribbling away in my sandalwood-scented room wearing a silk scarf around my head and listening to Chopin on repeat while drinking Mexican hot chocolate in one hand and playing with a stone in the other.  I am also the wife who loves to curl up on the couch watching Doctor Who with her husband, the mother who dances to the Beatles in the kitchen with her children, and the hostess of formal dinner parties for her favorite circles of friends.

20.

The writing life is a slightly schizophrenic way of being, perhaps the price for creating worlds in our heads.

Know that while the incense and scarf and chocolate are touchstones for my creativity, you are a touchstone for my life.

~Valya Dudycz Lupescu, March 2012