Virtual Authenticity

I’ve been thinking a lot about authenticity, about what is genuine.

It’s something I look for and love about the people in my life: give me honest grumpiness over false pleasantries. I think that’s why I sometimes have a hard time with sarcasm–if I can’t tell what’s true, it makes me uneasy.

I’ve recently had a few conversations with friends about the internet and authenticity–the ways we portray ourselves and the quality of our online relationships.

Just last weekend, I was at a baby shower for a dear childhood friend, sitting at a table with my sister, my oldest friend, and others from the neighborhood. The conversation turned to the love-hate relationship many of us have with Facebook.

My sister refuses to join Facebook, while the rest of us use it to varying degrees. She teased me about some of my posts, brought to her attention by my cousin, who asked if I really do the things I post about (especially with three young kids).

The things I post about really do happen.

But it got me thinking.

When I post a photo or an anecdote about some small instance of joy, like dancing in the kitchen or enjoying coffee under canopy of trees or laughing with friends by a campfire, it’s not to point to them as examples of my everyday life.

My everyday is filled with a rather unexciting routine of kids, coffee, writing, kids, cooking, coffee, housework, relationships, writing, wine, frustration, bickering, procrastination, overcommitment, deadlines, and so on. The everyday is pretty typical. It’s messy, and I’m generally ok with that.

This is my dining room right at this moment--a mess of homework, Halloween, and the ever-moving piles of paperwork.
My dining room at this very moment–a mess of homework, Halloween, and the ever-moving piles of paperwork.

Sometimes I will post about the everyday, usually if I think it’s funny because I think it helps to know that other people are dealing with ridiculous moments of child stubbornness or homeowner frustration, but nobody wants to read about the everyday every day.

So most of my everyday posts are about coffee or wine. Because the sharing of those seems to be a recognizable symbol for “the routine”–a shout out to everyone else, as if to say “Cheers! We’re in this together, this grind of everyday”–without having to specify the details. It’s like a nod of recognition.

Those other moments: the ones that are silly or playful or creative–they are exceptions and exceptional. They are the moments that make me stop and feel gratitude, they remind me to keep perspective, they show me what the everyday is for.

When I share them, it’s because they are outside my norm, because they are not everyday or typical. I feel like they’re a  gift, so I share them.

I’ve been reflecting about why I post the things I post: on Twitter, on Facebook, on Tumblr, on the blog. Each one is different, a different tool.

This past year I’ve been trying to write as much as possible: fiction, short fiction, poetry, comic book script. Making a  commitment to writing means that I spend a lot more time at home alone on my computer.  When I take a break, I pop online. I read a post or some tweets. Then I go back to work.

Twitter? It’s about community for me, the larger writing/arts community, many of whom are not in Chicago. That’s where I can wave to friends who are also writing at 2am, learn about a new poem someone published, or give congratulations for an award or good review. It’s also where I get most of my news.

Tumblr? I post photos and stories that I find interesting and quotes that strike me as compelling. Much of what I post there if for myself, a sort of bookmark for the future. (I tend to use Google+ in a similar fashion).

Blog? I process the world by writing. When something is really important and I’ve been giving it a lot of thought, I often write a blog post. It’s my way of working things out and also inviting a conversation from people I don’t get to see in person.

Facebook? This one is trickier.

Facebook is good for long distance friends and family, for birthday greetings and other milestones. I periodically check-in on people, pick a few folks I’m thinking about and read their posts, skim their photos.

But what about the things I choose to post?

There are the interesting articles and links. I try to only post things I think are compelling or important.

The rest?

I think it comes down to connection.

In her TED talk on vulnerability (and also in her book), Brené Brown says, “Connection is why we’re here. It’s what gives purpose and meaning in our lives.”

I think she’s right. Of course, connection means different things for different people. For some people it’s the close friendship of a handful of trusted friends, for others it’s crowds of fans and followers. Most of us are somewhere in between.

I think at its best, Facebook can be about those little nods that tell us we’re not alone. Especially when we are alone so much of the time.

That’s how I see “likes,” as nods, not in agreement necessarily, but in acknowledgment: I see you, I hear you. In this moment, you are not alone.

Of course, we are. Alone. That’s not necessarily a bad thing. It’s what I loved so much about Louis CK’s talk on Conan.

Louis CK said:

“You need to build an ability to just be yourself and not be doing something. That’s what the phones are taking away, is the ability to just sit there. That’s being a person. Because underneath everything in your life there is that thing, that empty—forever empty. That knowledge that it’s all for nothing and that you’re alone. It’s down there.

And sometimes when things clear away, you’re not watching anything, you’re in your car, and you start going, ‘oh no, here it comes. That I’m alone.’ It’s starts to visit on you. Just this sadness. Life is tremendously sad, just by being in it…And I go, ‘oh, I’m getting sad, gotta get the phone and write “hi” to like 50 people’…then I said, ‘you know what, don’t. Just be sad. Just let the sadness, stand in the way of it, and let it hit you like a truck.’

And I let it come, and I just started to feel ‘oh my God,’and I pulled over and I just cried like a bitch. I cried so much. And it was beautiful. Sadness is poetic. You’re lucky to live sad moments. And then I had happy feelings. Because when you let yourself feel sad, your body has antibodies, it has happiness that comes rushing in to meet the sadness. So I was grateful to feel sad, and then I met it with true, profound happiness. It was such a trip.”

I think Louis CK is  right. We need to be able to just stand in the way of moments without the distraction of the phone or the filter of the camera. We need to be able to feel them fully, to be present.

But after? After those moments?

After that profoundly sad moment happened, Louis CK shared it on live television, and it has been archived and passed all over the internet.

Maybe somewhere in there lies the balance?

We need to experience genuine moments–moments of joy or sadness or revelation. But after? Afterwards we can share them.

Facebook can never be a substitute for a face-to-face talk, a hug, the energy of a lively dinner conversation, but the internet does give us a starting point from which we can further connect.

I think it’s always important to remember that the virtual is only part of the whole.

When I raise my mug of coffee in the morning, know that I’m probably setting it down on a large pile of papers to be sorted. Just because I don’t mention them, doesn’t mean they’re not there.

When I’m singing to the Beatles in the kitchen, it may to be to drown out the sound of the kids complaining about homework or fighting over who gets to use the cool, sparkly pencil.

And when we’re dancing in the living room–I often close my eyes not to see the clutter –because sometimes it’s better to just be present in the moment. The rest of it can wait.

LoneStarCon Recap

I attended my second WorldCon in San Antonio at the end of August. My first was last year in my hometown of Chicago. In the span of a year, I’ve participated in a few different cons, some large, some small: Locust Moon Comic Festival, ICFA, C2E2, Readercon, WisCon, and LoneStarCon.

Each time I leave inspired, not only by the great works that get honored or by the guests who are celebrated for their contributions, but by other working writers and editors who carve out time whenever they can; who are on their second, third, or tenth books; who complain about their laptops, vent about their partners and families, gush over stories that inspire them, and find joy in the company of other weird and wonderful creative people.

After the Hugos, with Amy Sisson, Francesca Myman, Cady Coleman, Stina Leicht.
After the Hugos, with Amy Sisson, Francesca Myman, Cady Coleman, Stina Leicht.

There were panels: some informational, others provocative; some balanced, others not so much. I attended many discussions which featured friends, and I was treated to passionate conversations about poetry and science; plot problems; the future of short stories; science, space, and speculative fiction; and China through the lens of its science fiction.

"Science, Space Exploration, and Speculative Fiction Collide"  Panel with Mrco Palmieri, Ann VanderMeer, Stanley Schmidt, John Chu, and astronaut Cady Coleman.
“Science, Space Exploration, and Speculative Fiction Collide” Panel with Marco Palmieri, Ann VanderMeer, Stanley Schmidt, astronaut Cady Coleman, and John Chu.

There were awards, where I cheered for Campbell-nominated friends (yay Max Gladstone and Stina Leicht) and celebrated those who won Hugos (yay John Picacio, Best Professional Artist; and Galen Dara, Best Fan Artist); and there were After Parties, places to celebrate with friends.

After the Hugos: Wesley Chu, Stina Leicht, Max Gladstone, and David Boop.
After the Hugos: Wesley Chu, Stina Leicht, Max Gladstone, and David Boop.
After the Hugos, with Tara Smith, John Picacio, and Nancy Hightower.
After the Hugos, with Tara Smith, John Picacio, and Nancy Hightower.

There were large public spaces where we congregated for wifi and coffee, for meetings and impromptu chats; and when the sun went down for wine, scotch, sweet things, and more coffee.

In such good company, hanging out with wonderful Tor people: Ellen Gallo, Max Gladstone, Stephanie Neely, Miriam Weinberg, Stacy Hill, and Carrie Vaughn.
In such good company, hanging out with wonderful Tor people: Ellen Gallo, Max Gladstone, Stephanie Neely, me, Miriam Weinberg, Stacy Hill, and Carrie Vaughn.

Those “writers in the wild” times were my favorite–the casual moments when we wandered and were welcomed at tables and beside bars. When a conversation could carry on late into the night, or well into the morning. Because sometimes 5am guacamole along the riverwalk is a way of holding onto the magic for a little while longer, before we all have to return to the real world and the work that makes up most of our days.

Monday morning with Stina Leicht and Marco Palmieri.
Monday morning with Stina Leicht and Marco Palmieri.

So I came home and delved back into the stories  I’ve been working on all summer, finishing up a novelette and a few shorts, tweaking some poems, and sending things out to readers. Fall brings the next novel and the excitement of delving into ancient history to build a new world and a new cast of characters who will live inside my head until it’s done.

My fabulous roommates: Nancy Hightower and Stina Leicht.
My fabulous roommates: Nancy Hightower and Stina Leicht.

In the meantime, there are little tastes to keep us going: tweets at midnight when we’re writing, facebook chats and email exchanges. It helps to keep us connected, but nothing can compare with midnight marshmallows, early morning guacamole, and coffee in the company of good friends.

Monsters, Memories, and Mythmaking

When I  attended Readercon last month, I caught up with Gil Roth, who runs Virtual Memories, one of my favorite podcasts about books and writers. Gil had attempted to interview me for the show last Fall when I was in the NYC/Philadelphia-area, but after losing my voice and hopping from plane to bus to train to subway, we rescheduled. We had our opportunity for a retake at Readercon (as part of his 2-part Readercon 2013 mega-podcast).

Part 1 features  John Crowley and Scott Edelman, and includes a wonderful discussion about fairies, zombie-fiction, storytelling tips, and writing challenges.

“One of the most amazing things about writing to me is that, even though you’ve read, and heard, and seen thousands of stories, when you sit down to write one, you have no idea how to begin!” –John Crowley

Part 2 features Theodora Goss, Nancy Hightower, and me. This from the Virtual Memories site:

First, Theodora Goss talks about her new accordion-shaped novella, The Thorn and the Blossom, what writing contracts taught her about writing stories, why most classic literary monsters were female, and the joys of coffee in Budapest. Then (52:00), Valya Dudycz Lupescu explores the joys of Growing Up Ukrainian in Chicago, the role of folklore and myths in her fiction, and how every immigrant wave has to choose what it holds onto when it lands in America. Finally (1:15:00), Nancy Hightower tells us why she gave up Colorado for NYC, how she made the transition from teaching the grotesque to writing epic eco-fantasy, and how we learn the cost of wilderness.

The second part of the Readercon 2013 Special features conversations with (from left): Nancy Hightower, author of Elementari Rising; Theodora Goss, author of The Thorn and the Blossom: A Two-Sided Love Story; and Valya Dudycz Lupescu, author of The Silence of Trees.

It was wonderful to be in the company of these two intelligent, creative, and talented writers all weekend at Readercon, and I enjoyed listening to their interviews as much as I enjoyed chatting with Gil.

In her interview, Theodora speaks about the joy of conferences and conventions like Readercon. I’m new to the scene, but I wholly agree. Cons allow us to engage other writers in a social setting, to discuss everything from coffee to craft.

Cons are an oasis of sorts, they create the opportunity for community to happen in a physical place, because for most writers, the work is solitary. Even the internet, while a lifeline for many and an invaluable tool for connection, is not the same as sharing a meal, or sitting in a hotel room drinking wine with friends as the sun comes up. Those become the memories many of us hold onto when we’re back alone in front of our laptops and notebooks, facing blank pages and beginning again.

Listen to the podcast and check out the other episodes of Virtual Memories at: chimeraobscura.com/vm