I’m not much of a beach person or a swimmer, but I like summer; and I love what summer brings: conversations in the shade, wine on the patio, warm nights with music playing softly.
In Chicago, the days can be sweltering, but sometimes we get lucky. Sometimes we get summer days that are bright and comfortable, the kind of golden-hued days I remember from childhood– filled with laughter and imaginative adventures late into the night. The best summer days end when we tumble into bed exhausted and fully satisfied, our bodies tired and our hearts full.
So much of last summer was shadowed in heartache because of the failing health and deaths of my grandmother and grandfather. There were moments of happiness and moments of beauty, but they were tempered by a longing for days when Baba and Dido were healthy and strong.
We are approaching the one year anniversary of my Baba’s death, and it’s still hard to believe she’s not sitting across the kitchen table from my Dido in the Ukrainian Village, serving him some of her delicious varenyky or a slice of torte with his coffee, maybe indulging him as he asks for more peaches or pickles.
I think of them all the time, and I feel them around, especially my Baba. I believe that she still watches over us–her children, grandchildren, and great-grandchildren. She was a caretaker and the matriarch, and I can’t believe she would let death stop her.
Our lives move so fast; we orbit around one another, busy until something forces us to stop. If we’re lucky, it’s a happy occasion that reminds us to notice the circles of which we are a part.
This summer I am trying to be mindful of those moments of joy in the company of family, tribe, and kindred spirits. There have been several: a 4th of July family bbq, visits with friends in the backyard, campfire chats, margaritas after swimming, lunch with out-of-town friends, and thoughtful conversations over wine as the sun comes up.
I began this post with the intention of writing about specific highlights so far (camping with the kids and friends, lunch with Gene and Neil, Neil’s Ocean reading and time spent with the illustrious Cat, my first Readercon and the wonderful people I met there). Each one was a cherished moment, and together they have shaped this summer into a remarkable one so far.
The remaining weeks of summer stretch not too far into the future, and autumn waits close by to take its place. Before the leaves fall, there are a few more trips to be taken and adventures to be had, good books to read (some written by friends), wine to drink, stories to be written, and children to play with.
“Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in.” ~Ray Bradbury, DANDELION WINE
Lunch with Neil Gaiman and Gene Wolfe, Chicago.At the train station with Marco Palmieri and Sam J. Miller, Boston.Another marvelous Readercon dinner.After our interviews with Gil Roth for his Virtual Memories Podcast (Nancy Hightower, Theodora Goss, Valya Dudycz Lupescu)Camping with friends.
I asked my friend Pat Prather, a talented photographer for 8 Eyes Photography and a brilliant artist, to create a memory board that I could mount in my kitchen. It would be a place to put precious photographs and mementos so that I could see them every day.
Pat Prather’s Steampunk/Nouveau Memory Board. (Photo by 8 Eyes Photography)
Pat created not just a work of art, but a story told through the steampunk sculpture that surrounds the handcrafted frame, a story about a fairy who breaks time so that the memories can remain alive forever. (You can read about his process here.)
Close-up of fairy. (Photo by 8 Eyes Photography)
I’m nostalgic, increasingly so as I get older. I often think back fondly to people I’ve loved, places I’ve called home, adventures and conversations that have had an impact on me. I’m grateful for them, really grateful for these experiences. They are treasures, and even as I look forward to the future, I am gratitude for everything and everyone who has brought me to this point.
“The Greek word for “return” is nostos. Algos means “suffering.” So nostalgia is the suffering caused by an unappeased yearning to return.”
― Milan Kundera, Ignorance
I wanted the memory board to be a place to mount those sentimental treasures, and they are frozen there, snapshots into important moments. I’m slowly printing out photographs to affix to the board. Some are obvious choices: the dearest of family and friends. Others inspire, challenge or remind me, like the photograph of Gene Wolfe and me that I added last week.
Close-up of Pat Prather’s Nouveau/Steampunk Memory Board
On May 7th, I met Gene for lunch to celebrate his 82nd birthday. Each time we meet, we chat about our lives and works in progress. I always enjoy Gene’s stories about writers he’s known, places he’s traveled, stories he’s read–so many memories, so much history. On the drive back to Chicago, I’m often lost in some Gene-inspired reverie or creative provocation.
This time, Gene mentioned an exercise attributed to Benjamin Franklin called “Imitating the Style of the Spectator.” The idea is that a writer should choose a piece of writing by an author he/she admires. After reading it over many times, the writer should hide the original text away and attempt to write the story from memory. Once it’s completed, the writer should refer back to the original and note the differences: the places where he or she forgot a detail, or did not capture the same mood or character, or had trouble with dialogue, and so on.
Gene did the exercise early on in his writing career with one of his favorite Lord Dunsany stories, The Assignation. He explained that there is much to be learned by studying the craft of the masters.
He’s right, of course. Gene Wolfe is a Master. This weekend,Gene Wolfe will be honored by the SFWA with the Damon Knight Memorial Grand Master Awardfor his contribution to the literature of Science Fiction and Fantasy. I am grateful for lessons I’ve learned not just from his writing, but from his friendship.
Just below the photo of Gene and me is a photograph taken from last year’s Fuller Awards to honor Gene Wolfe. That one has a group of people who are both dear and an inspiration. They each inspire me in their own way: to keep writing, to strive for excellence, to learn from the examples of the past, to connect with others. That night was one of those important moments in my life, a night to remember.
Unlike Pat’s fairy, we cannot break time (except in stories). Time will continue with or without us.
But I find that nostalgia can work like a touchstone. Memory and nostalgia motivate me to reach for the stars, to step into the chaos of creativity, knowing that I am grounded in the past and am part of a continuum that stretches backward and forward in time. Just like Gene’s exercise about writing from memory, there’s much to be learned from the intersection of what is and what is remembered.
If Chicon7 was a village of science fiction fans and creators meandering from panel to party to presentation; ICFA34 was the fantastic equivalent of Cheers, a bar where you could usually find a seat, the faces were familiar, and the more time you spent there, the more likely it was that everybody would know your name.
Sofia Samatar, me, Nancy Hightower, and Kat Howard.(Photo by Jim Kelly.)
My first time at the International Conference on the Fantastic in the Arts (ICFA), I was grateful for the presence of a few friends; for even though attendance was in the hundreds rather than thousands, it was still easy to feel overwhelmed in a crowd where so many people already knew each others.
ICFA Group picture by the pool. (Photo by Bill Clemente)
Neil Gaiman was one of the Guests of Honor this year, and my first night in Orlando, I found myself at a dinner table with familiar faces (Kat Howard, Maria Dahvana Headley, Peter Straub, Neil and Amanda, as well as a few I had only known online, among them Charles Vess, John Clute, and Ellen Klages). We had a thoughtful chat about WWII survivors and their secrets/stories on the walk over to dinner, and a lively conversation full of laughter over dinner and wine. I could not have asked for a more wonderful beginning to ICFA.
The evening ended as did so many at ICFA, in the hotel bar with new and old friends. However that first night we were treated to a performance of Radiohead’s “Creep” by Amanda on her ukelele. The bar was silent as the small crowd listened. The song choice seemed perfect in so many ways.
Amanda Palmer at ICFA (Photo by Andy Duncan)
Although I had planned to be a quiet observer this first time around, Nancy Hightower asked me to fill in on her panel “Transforming Fact to Fiction” after she had two cancellations from flu-stricken authors not in attendance.
Nancy and I. (Photo by Andy Duncan)
Together with Nancy and Greg Bechtel, we had a lively 8:30am panel on Thursday morning. That was also where I met the amazing Sofia Samatar, whose novel A Stranger in Olondria, is due out this month (take note: Pre-order your copy form Small Beer Press today!)
Team Heliotrope: Nancy Hightower, Maria Dahvana Headley, and Kat Howard.
The rest of the weekend followed in a happy blur of luncheon talks, panels and readings, poolside introductions, and late-night bar conversations.
Bespectacled with Peter Straub. (Photo by Ellen Datlow)
I am grateful for the opportunity to spend time with Nancy, Maria, Dora, Peter, Gary and Stacie, and happy to have met so many wonderful people: Greg and Sofia, Francesca Myman and Liza Groen Trombi from Locus (to which you should subscribe if you don’t already), Katherine Pendill and Helen Pilinovski, Andy and Sandy Duncan, and others.
Nancy, me, and Katherine Pendill at the Awards Dinner (Photo by Bill Clemente)
The last night of the conference was the Awards Banquet, a rather gala affair where writers, editors, and academics donned suits and gowns to sparkle, sip cocktails, and celebrate.
ICFA Group picture by the pool. (Photo by Bill Clemente)
Following dinner, everyone moved poolside. I had spied a set of chairs around an unlit firepit earlier in the day…
The firepit in daylight.
My hope was to retire there after dinner if given the chance.
Around the fire (before the s’mores).
The server was kind enough to light the fire. I ordered a drink and was happy to sit and people-watch. Friends popped by to sit and chat, then moved on. At one point, Neil came by, and I mentioned that there was only one thing missing from a nearly perfect moment: marshmallows. (I made a mental note for next year.)
Neil went on to visit with other friends, but a few hours later he returned with friends…and marshmallows!
S’mores! (Photo by Andy Duncan)
Apparently Sarah Pinborough had never had s’mores, and someone had been kind enough to run out and purchase the necessary ingredients. Sarah, Neil, Peter, Maria, Kat and others gathered around and shared the spoils.
It was the perfect way to end the evening. Marshmallows and cocktails, conversations and joyful hugs. I went to bed so full of happiness.
The next morning most people were leaving, and those of us who remained eventually met up in the lobby where we sat on laptops and phones, reconnecting with the outside world.
Until the tornado. Yes, tornado.
A few of us took refuge in the windowless inner room of the tavern restaurant, well-lit with emergency lighting even when the power went out.
In the restaurant to ride out the storm, a.k.a. “tornado bunker.”
Liz Gorinsky, Lara Donnelly, Maria, Nancy, Sofia, Greg, and I were treated to champaign and potato chips, salad and sandwiches by the attentive servers. Dora eventually joined us, and we rode out the storm safe in our little bunker, sipping champaign by lantern-light and talking.
The tornado passed, and we disbanded to our separate flights home, dinners, and downtime. Power eventually came back on, and we came together for last time in the bar, this time joined by Jeff and Anne VanderMeer in the large booth in the back. I was excited to get the chance to leaf through Jeff’s Wonderbook. Nearly complete, it is a masterpiece in image and text about the craft of writing.
Then an early morning flight, and my first ICFA was over.
I believe in the importance of communities: creative, social, etc. We have the ability to choose our tribe, to invite into our circle people with whom we connect, people who make us laugh and inspire us to be more. When I came back to Chicago from Germany in 2009, I was hungry for a community of writers. I am so grateful to have found them.
We may not reside in the same cities or even the same countries. We may see each other in person only a few times a year, but we savor those connections. So much of our time is spent alone at our laptops or with notebooks in hand, but places like ICFA remind us that we are not alone. They allow us the time and space to reconnect with our tribe of mad creatives. It makes the tweets and emails, pictures and blog entries even more real when we know that eventually there will be hugs and champagne and sometimes even s’mores.