“Ukrainian American Poets Respond” Book Launch

It has been 197 days since Russia invaded Ukraine.

Ukrainians are still fighting.

Every morning, I check Twitter to see the updates from Ukrainian journalists, activists, artists, and writers that I follow. There is always news: Here is the devastation and sacrifice. Here is the heroism and resilience. Слава Україні!

Meanwhile, the Ukrainian diaspora tries to collect resources, rally support, and share the stories, names, and photographs to help the Ukrainian people and keep the world from forgetting.

On Friday, September 16, I will join other Ukrainian American poets for a reading at the Ukrainian Institute of America in New York City.

We will be reading our poems from the “Ukrainian American Poets Respond” anthology edited by Olena Jennings (Poets of Queens) and Virlana Tkacz (Yara Arts Group).

I am honored to have my poems included in this collection, and I hope that some of you will be able to come out on the 16th:

Tickets for the Ukrainian American Poets Respond Book Launch

Ukrainian American Poets Respond Book Launch Information on Facebook

You can also order a copy on Amazon or from an Independent Bookstores near you.

Слава Україні! Slava Ukraini!

Why Mother Christmas?

In September/October of 2022, my new graphic novel, Mother Christmas, Volume 1: The Muse, will be released by Rosarium Publishing. It is a love letter to the winter holidays and the hope that they celebrate and inspire. Light in the darkness. Hope in times of uncertainty.

Now, more than ever, I wanted to write a story that celebrates hope. We live in difficult times, and fear is ever-present in many people’s lives all around the world: fear of the pandemic, violence, war, loss of basic rights and freedoms, fear of global warning and a collapse of so many things we have grown accustomed to. Fear of change, fear of difference, fear of being passed by, fear of being misunderstood, fear of being judged, fear of being forgotten. There’s a lot of fear.

The story of Mother Christmas is largely a story about fear and hope. In Volume 1, you meet the Kobaloi who literally feed off fear. You also meet the Muses, whose job it is to inspire.

How does this all come together for Christmas? Set around the Winter Solstice, so many of the holidays of this season recognize the primal fear of darkness and the unknown. Our ancestors worried that as days got shorter, the sun may never come back. Now, we have so much science and technology on our side, and yet we still do not know what the future holds or if we can survive what is happening all around us.

So we look around for the hope. We listen to stories that comfort and inspire us, that challenge us to do better and show us ways to try. What better way to look at hope than by looking at some of the archetypes that we hold dear, like Santa Claus?

Mother Christmas attempts to answer a question that first occurred to me back in 2003: “What is Mrs. Claus’s story?”

Most of my story ideas begin with a question. This question led to more: Where did she come from? When and why did she come on the scene? What exactly is their relationship?

Which led to still more questions: Why are they living such a long life? What’s the deal with the presents? Where does the magic come from?

I began digging into the biography and lore of St. Nicholas. We were living in Frankfurt, Germany at the time, so we were able to plan a trip to Turkey. With my baby strapped to me, we explored the cities of what had been Lycia the land where the historical Nicholas lived: Patara, Myra, and the surrounding areas.

That trip is a story all on its own (for another blog post). It allowed me to visit for myself the wonderful places that have come to feature prominently in the story of Mother Christmas.

When Nicholas was alive, the Roman Empire was populated by people practicing many different faiths. It’s at the intersection of those spiritual practices where our story begins.

I started writing that story 17 years ago but didn’t finish it until last year, when I began to work on it as a graphic novel, illustrated by Victória Terra, for Rosarium Publishing.

This month I wrapped up the script for our first volume, and Victória is finishing up the art. We are so excited to share this world with you, and what a world it is! All the images in this blog post are from the first of the three volumes story.

Volume 1: The Muse introduces us to Amara, and she’s probably not what you expect Santa’s eventual partner to be.

Amara is one of the Muses, from the House of Polyhymnia. She is assigned to Nicholas’s sister, Flavia, to inspire her in her life’s purpose.

In Volume 1, you get to meet some of the other Muses.

You also get introduced to the Kobaloi, creatures that feed on fear.

A glimpse from a children’s book for Muses:

This is just Volume 1. In the remaining two volumes will follow Nicholas and Amara all over this world and through other realms, from Turkey to Iceland to Germany to the UK to America and more. Eventually you’ll learn more about some of those longstanding questions about St. Nick: Elves? Flying Reindeer? Presents? Krampus? You’ll also meet some of the other historical and mythic figures who have played a part in shaping up the winter holidays we have today.

In Volume 1, we watch the relationship develop between Amara and Flavia and Nicholas, as well as Amara’s struggles as she tried to figure out what being a Muse means to her and how she can best use her abilities to help humanity.

By her side (most of the time) is the Guardian assigned to watch over and help protect Flavia from birth until death.

Then there are the others who seem to be helping the Kobaloi to cultivate fear and sabotage the work that Muses and Guardians and other are doing to help humanity.

I’m excited to share these glimpses of what’s to come. Mother Christmas is already available for pre-order online, and I’ll post more information as it becomes available.

There will be a launch party or two, and signings around the country (hopefully just in time for the Winter Holidays).

We’re going to try and do some fun promotions around this, so stay tuned, and please get in touch if you have ideas or questions about bringing Mother Christmas to your town.

Chicago blur: 1995 to 2020

I’m excited to share that my poem “Chicago blur: 1995 to 2020” was published this month in the poetry journal Spillway 29, guest edited by Patricia Smith, who recently won the Poetry Foundation’s Ruth Lilly Poetry Prize; and Lynne Thompson, Poet Laureate of the City of Los Angeles.

As writers and artists, we are constantly being influenced by those who came before us and those who are working alongside us. In the early days of the pandemic, in April 2020, Creative Distancing, in partnership with the Philbrook Museum of Art, published a series of creative project tutorials on YouTube, offering artistic prompts from a number of creators. One of these featured a poet, author, and educator whose work I love, Quraysh Ali Lansana, talking about a form he created, the blur poem.

If you’ve never encountered the form, you can also read Quraysh Ali Lansana’s blur poems “Tulsa blur: 1921 to 2012” and “basement blur: wisconsin“.

I was inspired to write my own blur poem and worked on it during those early months of the pandemic. I’m delighted for it to be included among so many wonderful poems in Spillway 29. The annual poetry journal is not online but is available for purchase through Small Press Distribution.

Valya holding a copy of the poetry journal Spillway 29.