Not Just On This Day

But every day, I am grateful for

the beauty of this life,

the quiet moments of awareness and peace,

the raucous moments of chaotic joy,

the love of family and friends,

the readers and listeners who allow my stories to engulf them,

the writers who have shared their words with me,

the creativity of so many artists who allow me to see and feel things anew,

the connections made possible by this modern life,

my Muse and the Mystery that compels me to write.

If we have ever shared anything:

a meal, a story, an adventure, or a conversation,

I thank you.

Legacy of Love

My grandfather, Iwan Dudycz, died yesterday evening.

Like my grandmother, Parania, he was surrounded by his children, who kept a vigil around his bed ever since he slipped into a coma Friday morning. He was ready to join my Baba, who died on July 31st of this year. He was 93 years old and weary without her.

When I heard that he slipped into a coma, I went to see him. I knew I couldn’t speak with my Dido, that he was not conscious, but I wanted to be close to him one more time, to say goodbye. Sometimes you don’t need words.

We have different bonds with different people in our lives, different ways we show our love. With some people, it’s words; with others it’s actions or shared experiences; and with some, we show our love with affection.

Baba & Dido 1991
Baba & Dido 1991

Dido fell into this last category. Even before he lost his hearing, Dido was more quiet than my Baba. She was the talker, sharing stories, offering advice. Dido certainly held his own, but he was also content to let Baba ramble on and on while he sat nearby, ready to clarify or contribute something to her story.

As a grandfather, Dido was affectionate and supportive. He would often use Ukrainian terms of affection when referring to my sister and I and our cousins. He would call us his “keetsya” or “zozulka” (the Ukrainian words for kittens, cuckoo, or other cute animals). He would engulf us in a large bear hug. It’s the way we hug in the Dudycz family: big and with our whole hearts. Anyone who knows me has felt the legacy of those hugs.

Valya, Oksana, and Chrystia at Baba’s and Dido’s, 1970s

The older Dido got, the more quiet and watchful he became. Where he once played the harmonica and bantered with friends, he began to spend more and more time sitting on the front stoop watching the world go by or sitting in his recliner in the living room.

Dido with some of his great grandchildren, 2011.

I’m sure that some of it was age and the loss of his hearing, and I imagine that some of it was seeing the world change around him: friends died, neighbors moved away. His grandchildren had children and we saw each other less often as we moved into our own lives. But whenever we came together, he was happy to be with his family, proud of his children and grandchildren. His smile still had the same warmth, his blue eyes the same twinkle. His hugs may not have been as strong, but they conveyed the same big-hearted love.

Dudyczfamily1954
Dudycz Family (Sophia’s Communion), 1954

I believe in my heart that he knew his children were there at his deathbed, that he felt the way they cared for him, massaged his arms and legs, kept a cool towel on his forehead, kissed him, held his hands, told him they loved him and shared memories. I believe that Dido knew when loved ones came, and he felt the prayers of family from afar.

When I saw him, I kissed the top of his head, hot from fever, in the same way I would always kiss him hello and goodbye. I knew that the next time I’d kiss him would be at the funeral home, and his body would be cold. Even if his spirit lingers for 40 days as per Ukrainian tradition, it would not be tied to that body. This was the last time he would be there in a physical way.

My father with his father.

I sat beside him and held his hand, looked at the age spots on his skin, the wrinkles on his face, the soft gray hairs. Dido was a strong man and there were stories in those hands—heartache in his childhood, a youth of toil and sacrifice, war, displaced persons camps, hard labor and time spent in factories, but also so much love: meeting my Baba, raising a family, creating a home, tending his garden, holding grandchildren and great-grandchildren. His hand was warm and solid, like Dido.

Dido and I at my wedding, 2001.

Ever since I could remember, my Dido would tell me that I had his nose; the Dudycz nose. It’s true. That round ball on the tip of my nose is from his genes. It connects me to him, to my father, to my roots. When I said goodbye to Dido, I touched my nose to his, Eskimo-kiss style. My Dudycz-nose to his.

It’s still amazing to me that Baba and Dido both passed surrounded by all of their children. I am blessed to have been born into the family that they created, and I see them in my father and aunts and uncles. I even catch glimpses in my cousins and our children.

Baba and Dido will live on in us, and I look forward to the times when the extended Dudycz family will get together. I think it’s what Baba and Dido would want, for us to continue to be a family, to support one another, to be there for good times and hard times. They would want us to share their stories, to laugh and cry with their memories. Because that is also how they will live on in us. What is remembered, lives.

I love you, Dido and Baba. Vichnaya Pamyat.

A Writer’s Apologia

For my friends and family (especially Mark):

 

A Writer’s Apologia 

1.

Although I love you, I may not see you for hours or days or weeks, even if we live or work together.

2.

When writing, my inbox and voice messages pile up around me until I forget that they are there. My intention is to get to them, but in all probability, they will be lost. I appreciate your efforts to send me repeated messages. I do not see these as nagging reminders. I see them as the effort of someone who understands that five reminders for a lunch date or an email every day until you get an answer, are not annoying—they are necessary.

3.

If I do answer the phone when you call, I will be brief or sound crabby. The fact that I have answered the phone rather than let it go into voice mail signals that I am either: a.) on a bathroom break, b.) procrastinating, c.) stuck on a challenging part, d.) cleaning, or e.) eating. I will be cranky if interrupted doing any of those things. Please do not take it personally. I am anxious to get back to work.

4.

I forget real-world details, like birthdays or plans made. I can be tremendously organized with charts of plot and sketches of characters taped on the wall or to my computer, but things like dentist appointments or lunch plans may be forgotten unless they are also taped to my laptop. Even then, I may mistake the note for a plot point, and my character may be the one to go to the dentist or attend a baby shower.

5.

If I am writing, I won’t leave the house unless I absolutely have to. If I do, the laptop or notebook will come with me, and I will remain in my own creative bubble appearing quite vacant or mad to people who do not know me. This is because I am actually writing in my head even when I am paying the cashier or pumping gas or walking. I will usually choose to walk rather than drive. For me, walking and writing work better than driving and writing.

6.

Once a story takes root, I forego dishes and vacuuming, quite possibly eating and drinking for small stretches of time. Then I will do them all at once in a manic frenzy, eating a piece of cheese, while drinking coffee, washing dishes or vacuuming, maybe both. Please resist the urge to laugh or criticize.

7.

I drink a lot of coffee. This is not hyperbole. I may drink pots of coffee and will leave the house to get more, even when I will not leave the house for food. We all have our vices. For some it’s tea or cigarettes or sorbet. This is the Universe’s way of forcing us to interact with the world, although online shopping and delivery may thwart that as well.

8.

I spend more money than I should on books, and many of them will find their way to the growing pile(s) on my nightstand. It’s not (only) that I lack willpower, but I buy them because they are somehow important to my writing: for comparison, education, research, or encouragement. It does not signal a problem unless the piles take over the entire floor of the bedroom.

9.

I forget that characters are not real for you, because while I am writing them, they are real for me. I know things about them that I do not know about you. I know their greatest fears and secrets, what they do in the dark when no one is watching, what they dream and desire.

10.

If I stare into space when you are talking, I am neither bored nor daydreaming. I have likely caught sight of something provocative: a sunset perfect for the backdrop of a murder, a woman arguing with her lover who punctuates each word with a stalk of asparagus, or a child that has fashioned a robot out of olives and carrots and while singing the Rocky Horror Picture Show in falsetto. These moments are creative catnip.

11.

You may find me staring out the window or pacing around the living room or twittering. Rest assured, I am writing.  Sometimes the mind needs to process. If this lasts more than a few days, I am procrastinating and need a proverbial kick-in-the-ass.

12.

Someday you may find yourself in a story. No one else will probably recognize you; you may not even recognize yourself, but a characteristic or anecdote or snippet of dialog will finds its way in. To love a writer, is to accept eventually being written into something.

13.

If I need that proverbial kick-in-the-ass, be kind. It is likely that I know I am procrastinating, and I know that you know I am procrastinating, and I probably feel terrible about it.  Asking questions about the plot or characters may help to get things moving again. It may not. Hugs are always nice.

14.

When signing books, I will ask you to spell your name even if you have been my best friends since the first grade. After signing dozens (or hundreds) of books, there is a process of dictional shutdown where even my name starts to look funny. You know when you look at a word for a long time and it just looks wrong, even though you know it’s correct? This is like that, but worse.

15.

If you see me in the company of other writers or artists, do not take offense. This does not negate #5 above. Less than socializing, this is a survival instinct. Writers are an odd breed, we gather together in workshops, conferences, or reading series to reassure one another that we are sane and not alone.

16.

I may become preoccupied with a particular object, food, or musical selection. This may be a stone, a special Mexican hot chocolate, sandalwood incense, a silk scarf, or Chopin album of compositions for the piano. These items are book or story-specific, tied to the plot or a character in some way. They do not signal an addiction or collection. Please do not buy me stones, hot chocolate, incense, silk scarves, or Chopin cds. It is not necessary.

17.

Do not attempt to foil any new routines that may develop. The drinking of the Mexican hot chocolate or the playing of the album over and over again may drive you mad and appear obsessive, but they are part of a necessary ritual. They become a familiar backdrop and subliminal prompts to help get me into the story. Routines are also a way to help deal with the chaos of the creative process, as are charts and notes (see #4).

18.

I may choose to go away from time to time, to be alone in hotel room or a cabin or a friend’s house. This is not because I do not want to see you. Quite the opposite. This is because I do care about you, and it is hard to withdraw into my own little world when I am surrounded by people I care about and with whom I want to spend time. Going away removes the temptation of you, and allows me to focus. Even though I miss you, I will not write often (see #1, 2, and 3).

19.

Please do not compare me with the person I am when not writing. To you, we may not appear the same, but we are. I am. I am the introvert hermit scribbling away in my sandalwood-scented room wearing a silk scarf around my head and listening to Chopin on repeat while drinking Mexican hot chocolate in one hand and playing with a stone in the other.  I am also the wife who loves to curl up on the couch watching Doctor Who with her husband, the mother who dances to the Beatles in the kitchen with her children, and the hostess of formal dinner parties for her favorite circles of friends.

20.

The writing life is a slightly schizophrenic way of being, perhaps the price for creating worlds in our heads.

Know that while the incense and scarf and chocolate are touchstones for my creativity, you are a touchstone for my life.

~Valya Dudycz Lupescu, March 2012