Naked Girls Reading and a Love of Listening

On Friday night, I made my way up the stairs to the Everleigh Social Club with a friend, to attend the 2011 Naked Girls Reading Literary Award Gala. The fabulous loft space was candlelit and lushly decorated. We were among the first guests to arrive and took our seats in front of the swing, to the right of the stage.

Inspired by and named after the infamous Everleigh Club of the 1900s, this modern incarnation was founded by Michelle L’amour and is an extension of Studio L’amour. The Everleigh Social Club, while open to members for special events like the Naked Girls Reading Series and SPEAKEASY, is also the home of a modern art movement called Cyprianism, “creating art through a life lived artfully.” (A quote by Franky Vivid that I love. Read more here.)

From what I could see upon my entrance, the spirits of beauty, creativity, and sensuality are alive and flourishing in the Everleigh Club. Not unlike the ritual theater I adore by Terra Mysterium, the Naked Girls create a space and then fill it with intention, charging it with provocative elegance. On that night, the intention was to celebrate the five Literary Prize finalists, and I was honored to be in such good company.

The ladies on the stage disrobed at the start of each of the three reading sessions of the night. They did it gracefully, naturally, comfortably, at home in their skin and on the stage. Then they breathed the stories into life, charging each one with emotion, weaving the web of words around them. The crowd was rapt.  One word kept coming to mind: communion: a sense of intimate fellowship or rapport.

The word “communion” has an interesting etymology, a little different than its more modern and ecclesiastical definition.  It comes from the late 14th century Old French  comunion, meaning “community, communion” (12c.),  and from the Latin communionem (nom. communio) “fellowship, mutual participation, a sharing.”

The act of reading someone a story, or having a story read to you, is intimate. We don’t usually sit and read with strangers or people we dislike. If we read a story, it is with someone dear to us: a parent, child, partner. It’s often a part of a ritual, like “the bedtime story” or a “reading hour.” I love to read, but listening to a story is a different experience than reading a story. Listening takes us right back to our ancestors–sitting around a campfire to share in the storytelling experience, a sacred experience because it revealed ancient secrets, imparted treasured wisdom, taught life lessons, celebrated community milestones. The storytellers were both library and librarian.

Even today, when we listen, we receive something. Yes, it’s the same story. Yes, the words are the same. However we add the element of performance, the experience of emotion conveyed by a reader, the feeling that there is an exchange with a person and not just a text. Communion.

This is one of the reasons I love to listen to audiobooks, especially those read by the author. It’s like my own private bedtime story. In the reading of a story, the author has given me something, more than the words and the world they shape (although those are treasures). In an audiobook, as in a reading, they have given me an experience of the story.

It was an honor to hear my story read aloud on that stage, to experience my words delivered in such a beautiful and provocative way. I didn’t win the prize, but I certainly felt like I was given something to treasure. (It made me all the more excited to hear the audiobook for my novel when Xe Sands finishes recording The Silence of Trees for Iambic Audiobooks.)

The Naked Girls Reading Series is now in cities across America, so you too can experience the glamour and allure of Naked Girls Reading.

Rick Kogan said it so well in an article he wrote for the Chicago Tribune in April 2011:

It is a beautiful and bold experiment to be sure, with the emphasis on, well, beautiful and bold.

After the Naked Girls Reading, with a fully-clothed Michelle L’amour and Greta Layne.

 

Reading Naked and Reading Clothed

Tomorrow is the Naked Girls Reading Literary Gala and I am one of 5 finalists to have my work read by the lovely ladies of the Everleigh Club in Chicago.

Reservations are required. You can purchase tickets in advance here.

I will neither be naked nor reading on Friday night, but I will be reading (clothed) from The Silence of Trees at the first Chicago Book Expo to be held in Uptown this weekend.

The Chicago Writers House Project is creating a pop-up bookstore in the empty Uptown’s Borders on Nov. 19-20. Featuring more than 40 fiction and poetry presses, Chicago Book Expo 2011 will also include readings, a nonprofit fair, live performances, and architectural walking tours.

For more information, check out their website www.chicagowritershouse.org . They will have panels, workdhopd, children’s programming and more!

I’ll be at the table for Wolfsword Press/The Chicago Creative Coop. Stop by and say hello! I may have cookies. I’ll also be reading (clothed) on Saturday, November 19, 1:00 pm in the basement of the Uptown Broadway Building (former speakeasy) 4701 N. Broadway.

A Pause

I’m home drinking coffee from my new mug adorned by Magic the Bengal (a gift from the good folks at the Night Garden Project and Great Lakes Bengal Rescue). Look at those gorgeous eyes! If you’d like one, you can purchase one here.

Last night was the second annual Induction Ceremony for the Chicago Literary Hall of Fame. I’m tired, trying to catch my breath. It was wonderful event, and I am so proud to be a part of it, but truly it deserves its own post. Maybe tomorrow. Maybe when I can add photos by 8 eyes Photography. It’s so much better to have photos, and I was backstage the entire time and so unable to take any.

I still have so many things to catch up on. I attended an all-day seminar at the Art Institute for volunteers who teach in the schools. It was nice to be back at the Art Institute, to learn about some new and existing resources. I really don’t get down there enough. I also need to bring the kids downtown more often, to enjoy the incredible cultural treasures that Chicago has to offer.

The featured writers along with organizers, Sonya Arko and Anna Golash.

Ukrainian Institute of Modern Art had a wonderful reading series with some of my favorite Ukrainian writers/artists visiting from out of town: Askold Melnyczuk the novelist and founder of AGNI, and  Virlana Tkacz, a poet, writer, and the founder of the amazing Yara Arts Group. It was nice to just sit in the audience and listen.

Virlana Tkacz reading some of her poetry.

Also reading were Alexis Buryk and Roman Skaskiw. I really enjoyed their work, and especially appreciated the voice and characterization in Skaskiw’s writing.

Roman Skaskiw reading his fiction.

It was a mix of styles from writers new and seasoned. Though their voices and perspectives were different, I was struck by the repeating themes of identity, home, and authenticity.

As diaspora writers, we retain a collective memory and vision about our ancestral home–Ukraine. Many of us have been raised with an appreciation of our almost mythic motherland–its physical location, history, and achievement are praised and preserved. Yet we are also a part of a new world, an American reality, and there is a natural desire to also be a part of that world. So we stand on the threshold, between the old and new, longing for two things simultaneously.

In his introduction, Askold Melnyczuk mentioned that as writers, we often have themes or obsessions in our work. I think for me (at least right now) this idea of thresholds is an obsession: I’m fascinated by doorways in between worlds and realities, shades of gray in between the light and darkness, the places where the sacred and profane meet and cross.

“The threshold is the limit, the boundary, the frontier that distinguishes an opposes two worlds–and at the same time the paradoxical place where those worlds communicate, where passage from the profane to the sacred world becomes possible.” ~Mircea Eliade, The Sacred and the Profane

That’s the thing about thresholds: they suggest passage, possibility, transformation. A good story is a threshold, as is a good storyteller. They sweep us up in the complex beauty of words that are not truth but become true. We cross over and enter the world of a story, and if the writer is successful and if the reader is open, we bring a little of that world back with us.